Daft Punk's Random Access Memories was arguably one of the albums of the summer. In this tutorial, G. W. Childs explores how to emulate their vocoding style using Ableton Live and kHS ONE.
Want to modulate your sounds or a particular control on a synth or plugin in Ableton Live 9? Max for Live's LFO is here for exactly that purpose and Gary Hiebner is here to show you how to it works!
Reason 7's audio editing capabilities put it on par with some of the more "traditional" audio-based DAWs on the market. In this tutorial, Hollin Jones explores the many ways you can manipulate audio.
For many useful advanced tasks in Logic Pro X we no longer need to delve into the Environment. Track Stacks are a prime example of how to create sophisticated patches in just a few steps.
The new Track Stacks in Logic Pro now gives us instant access to easily create a layered sounds, synths and textures. In this tutorial, Mo Volans explores how to combine different tasty synth types.
Used by high-profile artists and musicians (like BT), FL Studio 11 is taking the music world by storm. In this tutorial, Gary Hiebner shows how to create dub step wobble basses with ease.
Did you know that, thanks to Logic Pro X inheriting the Musical Keyboard from GarageBand, you can now create sampler instruments faster than ever? Mike Watkinson demonstrates how.
Battery 4 has seen a major overhaul with a new refined interface and loads of new features. Get the most out of this drum sampler powerhouse with Toby Pitman's essential tips.
When it comes to filtering your sound in your favourite synth, you may have come across two mode: parallel and series. Mo Volans seeks to demystify these, and importantly show how they differ.
Getting unique sounds and effects out of Logic Pro X doesn't have to mean taxing your Mac's CPU. G. W. Childs shows how to make use of the new MIDI FX plug-ins to get creating wherever you are.
Native Instruments' introduced a lot of new virtual kit with Komplete 9, one of these new toys is the Monark synth: a virtual analog offering that models what one can only assume is the classic Moog.
Live 9 is arguably the most exciting environment in which to create musical content. And the new Max for Live Mono Sequencer makes it even better for musicians as Noah Pred discovers.
Calling all Logic Pro X users dependent on 32-bit plug-ins like Sylenth... aside from our previous solution, there's a more integrated one using VEP. Peter Schwartz walks you through the ins and outs.
With a name like Mojito you may suspect this subtractive synth included with PreSonus Studio One is going to be rather tasty.Gary Hiebner explores how to create bass sounds, including dubstep wobbles.
Serious sound design on an iPad? Who'd have thought it truly is both possible and desirable - especially since Propellerhead released Thor for iPad! Here's how to create a big bass patch.