Put away your mics and forget about hiring that upright acoustic piano (for now!)... Native Instruments' The Giant piano instrument is here to provide a realistic alternative as Hollin Jones find out.
You may have heard it's possible for Logic Pro X to read FCPXML! Ben Balser explores the best ways possible to create a successful workflow between Apple's pro video and audio workstations.
In this article Darren Burgos examines three third party plug-ins that use frequency ducking to attain a better sounding kick/bass combination. Waves, Brainworx and WaveFactory are in the lab.
Bass amps are for bass players only? Nope! Kick open Logic Pro X and follow this excellent tutorial by Darren Burgos as he shows you how to use Bass Amp Designer in new and novel ways for synths.
Akai's APC40 is an awesome bit of kit for DJs & producers. Rory Dow, master synthesist and Ableton Live user, explores how to make it even better using Max for Live. (Part 2/2)
David Earl (aka SFLogicNinja) is here on a mission. The mission is to explain the history of FM synthesis (you know, Ghostbusters basslines, etc). In this fascinating article David does that and more.
When mixing we often think of EQing and Compressing as quite separate processes. Darren Burgos sets out to show you how the two have more in common than you might think.
You're playing live. Triggering samples in Ableton Live 9. But you've got 132 to choose from... Yikes! Tadhg Leonard shares some super tips on using the pitch plug-in to trigger samples in an instant!
If your mix is sounding a bit flat or instruments feel hidden away it's time to employ some top tips to give your tracks more punch! Darren Burgos shows how to do just that in Logic Pro X.
NI's Razor is appreciated for its cutting-edge sonic capabilities. In this tutorial, G. W. Childs slices through the many layers of this complex synth with a mind to get vocoding.
Getting started creating EDM? Here are 5 excellent tips for producing electronica in Steinberg's Cubase, courtesy of Mo Volans.
The Trap music genre seems to be constantly evolving... and borrowing from other more established styles too. In this tutorial, G. W. Childs shows how to make Trap style beats in Propellerhead Reason.
Make the most of those versatile dummy clips in Ableton Live 9 with this creative tip by Tadhg Leonard. Learn how to use them for advanced control of your effects via different launch modes.
In this tutorial, sound designer, G. W. Childs, delves into a Macklemore and Lewis track, Can't Hold Us. Using FL Studio 11's Poizone, G.W. shows how to recreate its minimal synth sound.
There's grooves and then there's grooves. In this tutorial, Ableton Certified Trainer, Noah Pred, shows how to take your Ableton Live 9 groove creations to the next level polyrhythmically.