Arpeggiating in Logic 9 used to be tricky. Logic Pro X changes that with easy to use yet incredibly powerful new MIDI FX plug-ins! Steve H show how to use the new Arpeggiator and download free patches
One of the marquee features in Logic Pro X is Flex Pitch. David Earl (aka. SFLogicNinja) dives in to showcase just how effective the pitch manipulation is and how it works.
Creating interesting sonic textures in Reason just got a whole lot cooler! Mo Volans shows how to create super modulated instruments with a lot of crazy modulation routings involved.
Ableton Live 9's new Convolution Reverb is infinitely expandable with your own custom impulse responses. Gary Hiebner shows how to make spaces using the included IR Measurement Tool.
Pads can be the basis for a track, though more often than not they are used for atmospheres or break downs. Mo Volans shows how to make them super, whatever the purpose, in Logic or any DAW of choice.
Who wants hotter, fatter and spicier beats? iZotope's Trash 2 is an ideal companion in such a quest. In this tutorial, G. W. Childs gets gnarly with his beats using Trash 2's side chain feature.
You've recorded your guitar and now it's time to process and refine the recorded sound. But where to start? Rich Tozzoli discusses using EQ, one of the most powerful ways to filter your sound.
Mangling, crunching, smashing or gently warming up sounds has never been easier thanks to Cubase 7’s suite of plug-ins. Hollin Jones digs in the dirt, sonically speaking.
Love Ableton Live, but miss a built-in convolution reverb? In Live 9 you can find both a convolution reverb and use impulse responses to create your own spaces and effects. Gary Hiebner sounds it out.
Let's play sonic word association... "Choir." Did you imagine angelic sounds, or similar? G. W. Childs turns this idea on its head by introducing a 'horror' element using Reason.
Loops are great. But loops can also become mind-numbingly repetitive, too. Darren Burgos, however, has a solution to adding distinct, musical variations using a MIDI controller and Logic Pro.
What came first, the music or the mood? G. W. Childs shares muses over the effect music has on our emotional states and questions whether the music we listen to it is responsible, or not.
Melodyne has long been used by musicians and producers looking to pitch correct audio like we're used to doing with MIDI events. Gary Hiebner explores Melodyne's integration in PreSonus Studio One.
Understanding how Ableton's vocoder works will allow you to create, not only robotic voices, but so much more harmonic content. If you're into sound design this is a must-read article!
A captivating groove can transform a simple head-nodding track into a real hip-shaking anthem. In this tutorial, G. W. Childs shows how Ableton Live can apply some groove goodness to audio.