Is it desirable, to make your sample-based instruments sound as close to the "real-thing" as possible? Jay Asher suggests an alternative approach when creating orchestral pieces in your DAW.
Seems that most everything about Ableton has been designed with it being extremely playable in some way. And that's also true of Drum Racks in Live 9. G. W. shares tips on how to optimize them.
Continuing our series of sound as a healing tool, Lynda Arnold is back exploring what binaural beats are and how they can be used for enhanced states of relaxation in your productions.
What to do when you've already raided your existing sample libraries and synth presets when looking for noise-based percussive sounds? Turn to Logic Pro's ES1 and create your own!
Glad to see the back of the wave of "Harlem Shake" videos that invaded YouTube? Humor us (and yourself) for a little while longer as Gary Hiebner creates a similar styled project in Ableton Live.
If your vocal parts are sounding a little flat or uninspiring, you can do either go instrumental or learn how to better process your vocal tracks in Reason. Hollin Jones shows you how.
Mike Watkinson, ADE, shows how to quickly and effortlessly create a solo violin sampled instrument in Logic Pro - something strangely lacking in the included content for Apple's flagship DAW.
David Earl shows how to use Reaktor to convert logarithmic pitch to frequency, create a harmonic series and control it all using one knob! A little essential theory followed by all the practical steps
Have you tried adding an edge to your tracks with distortion? It's easy to go over the top... Mo Volans shows how to get an aggressive sound while keeping your mix balanced using Logic Pro.
So, you want to remix a track? Darren Burgos invites you into his studio of tricks in this article as he reinvigorates vocal stems using Logic Pro. He's also kindly included the Logic project, too!
Warning! This tutorial is not for the faint of heart. Still reading? Prepare to release your inner evil using Ableton Live's effects to transform your voice into something from an evil place.
Jump straight in to this tutorial by Toby Pitman on using Eventide's H3000 to create lush filtered delay effects on guitars and other sounds.
Is lo-fi the new hi-fi? Whatever your opinion there's something about downgraded, bit-reduced sounds that can really help your tracks stand out. Gary Hiebner explores bit crushing in Ableton Live.
Learn how to St-st-sttt-utter your lead synths using iZotope's unsurprisingly popular plug-in, Stutter Edit. G. W. Childs takes you through from start to finish.
Become a Cubase Master as Mo Volans takes you on a tour of the ins and outs of all the new synths introduced in the latest 6.5 version of Steinberg's flagship DAW.