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Logic Pro: Creating Gated Synth Effects

If you're aiming to create a gated synth sound, rather than fiddle around with the controls of your chosen instrument, Gary Hiebner demonstrates an alternative workflow with added benefits.

The Magic of White Noise in Logic Pro

White noise has many creative uses, from snares to kick drums and even lead sounds! Logic expert, David Earl, explores of all these in Logic Pro's ESP instrument.

Using Mix Busses and Master Faders in Pro Tools 10

Mike Watkinson uncovers and explains how to maximize the audio quality when mixing using the new 64-bit floating bus in Pro Tools 10.

Reason 6: Pulveriser for Bass Modulation

What is Reason 6's Pulveriser? Why is it so darn good for Bass modulation? How can you create excellent DubStep wobbles using it? G.W. Childs answers all the above!

Logic Pro Sound Design: Yeah Yeah Yeahs: Heads Will Roll Synth

The Yeah Yeah Yeahs use hardware synths & guitars to create their brand of pop-rock! Richard Lainhart shows how to re-create the synth line from Heads Will Roll using Logic Pro's built-in instruments.

Using Novation Launchpad with Reason

The Novation Launchpad is well known as being an excellent (and inexpensive) controller for Ableton Live. So, G.W. Childs went on a journey to discover how to make it work well for Reason users, too.

Loop Recording Options in Pro Tools

When it comes to looping during the recording process Pro Tools has a wealth of options to hand. Mike Watkinson rounds up all the options for MIDI and audio in this article.

Sound Design: Benga Synth on Katy B On a Mission in Logic Pro

Dubstep is all the rage right now, and one producer that is creating some of the biggest hits is Benga. Gary Hiebner shows how to re-create 'On a Mission' featuring Katy B in Logic Pro.

Creating Dub Delay Effects With Logic Pro's Tape Delay

Logic's Tape Delay is one of the original effects, and still one of the best for emulating that tape-based analog dub feel. Mo Volans uses it for some 'wow' and 'flutter'.

Using Soundtrack Pro as a Batch Processor

While Soundtrack Pro is only available in the current boxed version of Logic Studio, it is still a useful audio editor to use! David Earl (aka sflogicninja) shows how to use it as a batch processor.

MPV Free Stuff: NI Maschine Kits

There's only one thing better than a free lunch... MPV Free Stuff!! This time we've got a tasty bundle of NI Maschine Kits for you. Simply log in (or sign-up for free), download & enjoy!

NI Massive: Making Stereo Sample And Hold Effects

Load up your DAW, open up Massive and be prepared to make some awesome sounds! Mo Volans show the ins and outs of creating sample and hold effects in this popular synth by Native Instruments.

Animating the Pulverizer In Reason 6

Toby Pitman shows how the Matrix Pattern Sequencer can be used to control different sound characteristic of a loop. Basically, we're talking audio animation in Reason 6!

Get Your Kicks in Logic Pro's ES1

With so many ways to make kick drums, many producers ignore Logic Pro's built-in ES1 instrument. However, as Darren Burgos demonstrates, the ES1 can create punchy and deep kicks that rival any source.

Making Gritty Analog Bass Sounds In Cubase 6

Want to create analog bass sounds? Cubase 6 has you covered with Prologue. Mo Volans takes this instrument over the edge and introduces that much needed grit into your creations.