"New browser features" may not sound as exciting a "new synth" or "effect". G. W. Childs explains why this new addition to Live 9 is important, and how'll prove popular with Live users.
Mike Watkinson, ADE, shows how to quickly and effortlessly create a solo violin sampled instrument in Logic Pro - something strangely lacking in the included content for Apple's flagship DAW.
Creating an ergonomic work environment is so important for everyone, including music producers. Jim Pavett shows how, and explains the meaning of "5S" concepts.
David Earl shows how to use Reaktor to convert logarithmic pitch to frequency, create a harmonic series and control it all using one knob! A little essential theory followed by all the practical steps
The time of being tangled up by wires connecting the various devices in your studio together is coming to an end. Adam Goldberg takes a wireless approach when connecting devices to Logic Pro.
We've all felt profound moments of joy, sadness, relaxation, etc when listening to music. In this fascinating article, Lynda Arnold explores how sound affects us and how it can be used for healing.
You don't need more buttons and knobs for a plug-in to make your mixes shine through. Universal Audio's 1176 has simple controls covering the magic inside. Rich Tozzoli shares 3 tricks for the 1176.
Ableton Live's Drum racks are simple to set up and an easy way to quickly assemble drum sounds. Gary Hiebner shows how to go one step further and build drum racks with layered samples.
Have you tried adding an edge to your tracks with distortion? It's easy to go over the top... Mo Volans shows how to get an aggressive sound while keeping your mix balanced using Logic Pro.
The power of Reaper shouldn't be underestimated! Despite being priced lower than most DAWs and with a smaller fan base, it has a host of powerful features such as ripple editing - worth checking out!
So, you want to remix a track? Darren Burgos invites you into his studio of tricks in this article as he reinvigorates vocal stems using Logic Pro. He's also kindly included the Logic project, too!
Warning! This tutorial is not for the faint of heart. Still reading? Prepare to release your inner evil using Ableton Live's effects to transform your voice into something from an evil place.
Is your bass a bit muddy? Spreading over the left and right channels in an unwanted way? Mo Volans comes to your rescue in this tip on how to reduce the stereo width of that untamed bass in your mixes
Jump straight in to this tutorial by Toby Pitman on using Eventide's H3000 to create lush filtered delay effects on guitars and other sounds.
Is lo-fi the new hi-fi? Whatever your opinion there's something about downgraded, bit-reduced sounds that can really help your tracks stand out. Gary Hiebner explores bit crushing in Ableton Live.