You may already know how use an effects return in Logic, but using dynamic effects plug-ins in conjunction with returns can make your creative effects even more... creative!
Become a side chain scientist in Logic Pro X, with this compact yet informative mixing technique on how to side chain bass in Logic Pro X. Matt Vanacoro makes side chaining accessible for all!
Most times you'll record instruments in mono to a single channel, but sometimes you may want to beef these up in the mix and create stereo versions. Here's how, in Logic Pro X.
The tools for authentic sounding orchestras are here. But, that automatically make your string sections sound good! Jay Asher shares six tips to help make your orchestral compositions unique.
One of the more exciting features in the recent Logic Pro X 10.0.7 free update are the new automation capturing commands. Being able to create automation points will only make mixing more fun!
When it comes down to it, a working and functional score with lyrics is great, but one that looks good is even better. Jay Asher shows how to create lyrics nicely in Logic Pro X.
If you like EDM, Logic Pro X and designing sounds, you'll get a kick out of this tutorial! Darren Burgos takes you on a tour of Ultrabeat. Your mission is simple: to design your own big kicks.
If you used Logic Pro 9, you may have used the built-in Notepad. It is certainly useful. But, Logic Pro X breathes new life into its organised workflow techniques thanks to project alternatives.
Learn all about how velocity curves in Logic Pro X can be used to provide a number of excellent solutions to some real head scratchers.
Flex Pitch in Logic Pro X can be used to correct imperfect melodic recordings, or help you transcribe recorded audio parts. You can also use it to double up an instrument and Toby Pitman shows how.
Now we're not saying your drum patterns aren't interesting... but, here's a way to breathe new life into them using Step Mode in Logic Pro's Ultrabeat drum synth/sample plug-in powerhouse.
One of the less well documented features in Logic Pro X's Drummer is Articulation ID. In this tutorial-article, Toby Pitman explores it in depth, looking at its benefits and ways it can be improved.
Making sounds pop out in stereo can add much needed dimension to flat sounding mixes. In this tutorial, Darren Burgos shows you how using Logic Pro X.
Clipping when mixing in Logic X is not as straightforward as a "clipping" or "not clipping". Darren Burgos uncovers how Logic X's 32-bit floating point engine deals with clipping.
When it comes to music production, some little tricks can go a long way. Toby Pitman shows how to use MIDI pressure to add complex textures and motion to your synth sounds in Logic Pro X.