If you've ever wondered just what modern and vintage processing types are doing to your masters and which to choose, this short video from Matt Hepworth will explain all.
Breaking sounds down into grains is a great way to create completely new textures. Here, Rounik Sethi explains how granular synthesis works in every version of Live.
The Visual Mixer in iZotope's Neutron 2 provides a whole new way to control and mix a project. In this short video, Joe Albano explains how it works and why you should consider using it.
Track Alternatives are a great way to nondestructively try out different arrangements and takes in Logic Pro X. Darren Burgos explains why you should be using them.
Rekordbox has made waves in the DJ world, but not everyone is on board quite yet. Noah Pred gives you 5 reasons why you really should be using the latest version 5.
Cubase is capable of far more than simple time stretching. Here are seven advanced ways in which you can make become a tempo master and get complete control over your audio.
Komplete Kontrol 2 is a quantum leap forward from the first generation of hardware and software. These three short videos show you exactly how the new system will revolutionise your workflow.
Get a handle on navigation, tools and workflow techniques for Adobe's dedicated audio editing package with this short, hands-on video walkthrough.
Logic's EXS24 may not have changed its looks in a long time but under the hood there's lots that's new. Joe Albano goes deep inside this powerful sampler to reveal some of its advanced tools.
Making authentic drum patterns even if you're not a drummer isn't as hard as you might have thought. Joe Albano takes you through the fundamentals of programming a great beat.
Beat matching in Premiere Pro that works like Ableton Live? Well almost - but it's still so much more than you might have imagined. Joshua Casper reveals all.
If you only watch one video today (or two) we'd recommend these two showing you how cool Sample Logic's Arpology can be for sound design and patterns you'd normally not dream of making.
It’s not just singing that people record – voiceover is an integral part of all kinds of media workflows too. Here are five ways you can improve your VO recordings.
In the latest in his series on music theory essentials, Matt Vanacoro gives you some pointers on how best to put together a chord chart for you and those you are working with.
If you've never taken advantage of optical preamps to expand your UA Apollo mobile recording rig, you could be missing out! Rich Tozzoli shows you how it works and how it can help you.