Korg's Gadget sequencer for Mac, PC and iOS is a fun and powerful way to make beats, record guitars and put tracks together. Here are two videos to get your skills up to speed.
Guitars generally work in mono but by adding stereo effects with these plugins you can increase the space and size of your guitar tracks. Read on to find out how it works.
Time-based effects can leave a tail which makes cutting audio loops tricky. Adam Pollard has the solution - and it's simpler than you might think.
Effects most commonly associated with the 60s and 70s, flanging and phasing are still very much in use in modern production. Joe Albano explains exactly how they work .
You can always benefit from refreshing your core DAW skills and these three short videos will help you with some of Reason's fundamental tools and workflows.
Don't let Logic's large sample libraries eat up all your hard drive space. Joe Albano shows you how to store them more effectively while still retaining easy access to all your sounds.
Adobe's clever Dynamic Link feature means no tedious exporting and importing. Just harness the power of both apps to get much more detailed control over your sound than Premiere normally allows.
In the decade since its invention, iOS has gone from simple to supercharged. For musicians, that has meant a change from a novelty to a serious production platform. Matt Vanacoro recaps...
How can you get the perfect take if your performer doesn't always get it right? The answer is comping, and Joe Albano explains what it's all about in this bite sized video.
Whether you're a beginner or an experienced DJ, using hardware or software, there's always something new to learn. Sharpen up your skills with these two videos on Live and scratch techniques.
Cue mixing is sometimes a bit of an afterthought in the recording process but it's actually vitally important to getting the best out of your performers. Joe Albano explains why.
Here are 10 things you might not have known about the workflow and features in Ozone 8's brand new EQ module - and these are just the tip of the iceberg.
The kinds of tempo-synced live video effects you see in pro music videos are easier to create than you think. Here's Thavius Beck with a short video to explain how it is done.
Getting the kinds of effects used by top flight Hollywood composers like Hans Zimmer doesn't always have to be as hard as you might think. Here's how to replicate the Shepard Tone Effect.
The process of audio editing is infinitely more powerful since the advent of the digital era. Joe Albano compares how it used to be with how it is now, and showcases what you can achieve with your DAW