ReWire allows you to get the best of both worlds by using Reason or Ableton Live along with other ReWire hosts such as Logic Pro or Pro Tools. Mike Watkinson shows you how to get connected.
Learn the essential process of sampling in Propellerhead Reason (in this case using ReDrum) with Hollin Jones.
With so many instruments and effects to choose from, how do you go about improving your lead sounds in Reason? Simple. Read and follow along with this step-by-step article by G. W. Childs.
What should you do with those hordes of CDs you never listen to anymore? G.W. Childs rips open his 'other' CD collection and gets sampling.
There's only one thing better than a free lunch... MPV FREE Stuff!! This time we've got a collection of chill-out electronica audio loops. Simply log in (or sign-up for free), download & enjoy!
Reason 6 is packed with instruments, effects, little-known shortcuts and tricks. But at first glance there is no high-pass filter… or is there? Mo Volans digs below the surface to undercover this gem.
When faced with recording, editing or mixing in Reason, resorting to a slow and laborious workflow is a sure way to kill your creativity. G.W. Childs reveals a collection of time-saving shortcuts
What do you get when you combine Propellerhead Reason's Rack modules with some Photoshop trickery and skill? Answer: Your own personalized, modded backdrops in Reason. Toby Pitman gets hacking.
The RV-7000 may not be as pretty to look at as The Echo in Reason 6, but once you get under the hood you can have it do things you you didn't know it was capable of. G.W. Childs demonstrates.
What is Reason 6's Pulveriser? Why is it so darn good for Bass modulation? How can you create excellent DubStep wobbles using it? G.W. Childs answers all the above!
The Novation Launchpad is well known as being an excellent (and inexpensive) controller for Ableton Live. So, G.W. Childs went on a journey to discover how to make it work well for Reason users, too.
Toby Pitman shows how the Matrix Pattern Sequencer can be used to control different sound characteristic of a loop. Basically, we're talking audio animation in Reason 6!
Working with audio in Reason 6 is so much simpler than in previous versions. G.W. Childs take us step-by-step through how to use a hardware synth for real-time vocoding fun!
The Matrix in Reason can perform some excellent tricks. G.W. Childs, the ReasonMeister, reveals how to create custom gate patterns for the Alligator and use the Matrix for Drums.
Hollin Jones gets retrospective and takes a look at the audio hardware and software that has helped to define the past year.