Audio Software

Tutorial | Dec 06, 2011 by Gary Hiebner

There are a few vital production techniques to help make your music shine. Mid/Side processing is one such technique which Gary Hiebner approaches from multiple angles

Tutorial | Dec 05, 2011 by Hollin Jones

Whatever bass sound you're looking to create, Trilian by Spectrasonics obliges! Hollin Jones gets mucky showing how to create a dirty bass sounds using this incredible instrument.

Tip | Dec 01, 2011 by Mo Volans

After all this time the MPC still holds its own. If you're out to get that MPC feel via software then Cubase 6 has something for you. Mo Volans gets looping in Groove Agent.

Tutorial | Dec 01, 2011 by Mo Volans

Programming electro (or acoustic) drums needn't result in robotic sounding, grooveless beats. Mo Volans adds a human touch to his rhythm section in Ableton Live.

Tutorial | Nov 29, 2011 by G.W. Childs IV

When it comes to giving life to recorded vocals, most producers add some reverb. G.W. Childs shows how to air off vocals in GarageBand.

Tutorial | Nov 28, 2011 by G.W. Childs IV

Vocoding seems to capture the imagination of every musical genre whether it's used on the voice or other instruments. G.W. Childs exercises his vocal chords and synthetic sensibilities in Reason 6.

Tip | Nov 26, 2011 by Gary Hiebner

Software versions are constantly changing so how you can be sure your current projects can be accessed in 10 years? Gary Hiebner looks to the future with these tips on archiving audio projects.

Tutorial | Nov 24, 2011 by Hollin Jones

Grouping and linking channels in any DAW can certainly lend more creative options to your mixing process. And Cubase doesn't disappoint in this area as Hollin Jones discovers.

Tutorial | Nov 23, 2011 by Mo Volans

When it comes to creating drum parts, Ultrabeat provides a ton of suitable sounds for almost any musical style. And for programming the patterns? Mo Volans steps up with a House Beat pattern.

Tutorial | Nov 23, 2011 by Gary Hiebner

Practically every musical style relies upon transitions and build-ups to maintain listener attention, communicate emotion and ultimately tell a story. Gary Hiebner gets noisy in Ableton SImpler.

Tutorial | Nov 21, 2011 by G.W. Childs IV

The new Echo device in Reason 6 does more than its streamlined appearance suggests. Yes, it's a great delay effect, but G.W. Childs takes its processing capabilities to another level.

Tip | Nov 19, 2011 by Gary Hiebner

Creating a club edit or a radio edit of your finished track inevitably involves some artistic compromise. Gary Hiebner shows some practical steps involved in creating radio edits in Logic Pro.

Tutorial | Nov 17, 2011 by Peter Schwartz

In this MPV Free Stuff, Peter Schwartz has conjured up a Logic Pro environment to give you unparalleled control over EastWest's Play Instrument. Read on for full instructions and download link.

Tip | Nov 15, 2011 by Hollin Jones

Once you're done working on your music in Reason 6 it's time to export the song, or even export parts of the project so it can be mixed by someone else. Hollin Jones runs through all the options.

Tip | Nov 15, 2011 by G.W. Childs IV

A thin, weak kick drum can single-handedly undermine the impact of a decent mix. GW Childs ditches his diet in a bid to fatten up his kick drum using Ableton's compressor and reverb plugins.