Newest Articles

Review | Dec 03, 2011 by Gary Hiebner

What makes a reverb effect stand out from the crowd? Gary Hiebner loads up the Eos by Audio Damage to find out.

Tip | Dec 01, 2011 by Mo Volans

After all this time the MPC still holds its own. If you're out to get that MPC feel via software then Cubase 6 has something for you. Mo Volans gets looping in Groove Agent.

Tutorial | Dec 01, 2011 by Mo Volans

Programming electro (or acoustic) drums needn't result in robotic sounding, grooveless beats. Mo Volans adds a human touch to his rhythm section in Ableton Live.

Tutorial | Nov 30, 2011 by Gary Hiebner

Parallel/New York Compression is all the rage right now to make that pumping sound but Serial Compression can also create impressive results. Gary Hiebner looks into the dynamics of audio!

Tutorial | Nov 29, 2011 by G.W. Childs IV

When it comes to giving life to recorded vocals, most producers add some reverb. G.W. Childs shows how to air off vocals in GarageBand.

Tutorial | Nov 28, 2011 by G.W. Childs IV

Vocoding seems to capture the imagination of every musical genre whether it's used on the voice or other instruments. G.W. Childs exercises his vocal chords and synthetic sensibilities in Reason 6.

Review | Nov 27, 2011 by Richard Lainhart

Moog releasing Animoog for iPad has created a lot of buzz amongst iPad-wielding musicians. Richard Lainhart delves in deeply, as only experienced synthesists can, to discover how special this app is.

Tip | Nov 26, 2011 by Gary Hiebner

Software versions are constantly changing so how you can be sure your current projects can be accessed in 10 years? Gary Hiebner looks to the future with these tips on archiving audio projects.

Review | Nov 24, 2011 by Rounik Sethi

Reaktor users may be familiar with Twisted Tools (creators of inspiring instruments, effects). Rounik Sethi checks out their new sample pack, Transform, packed with evocative, Sci-Fi sounds.

Tutorial | Nov 24, 2011 by Hollin Jones

Grouping and linking channels in any DAW can certainly lend more creative options to your mixing process. And Cubase doesn't disappoint in this area as Hollin Jones discovers.

Tutorial | Nov 23, 2011 by Mo Volans

When it comes to creating drum parts, Ultrabeat provides a ton of suitable sounds for almost any musical style. And for programming the patterns? Mo Volans steps up with a House Beat pattern.

Tutorial | Nov 23, 2011 by Gary Hiebner

Practically every musical style relies upon transitions and build-ups to maintain listener attention, communicate emotion and ultimately tell a story. Gary Hiebner gets noisy in Ableton SImpler.

Tutorial | Nov 21, 2011 by G.W. Childs IV

The new Echo device in Reason 6 does more than its streamlined appearance suggests. Yes, it's a great delay effect, but G.W. Childs takes its processing capabilities to another level.

Review | Nov 20, 2011 by G.W. Childs IV

Cloud based backup services for musicians have come and gone over the past few years. So how is Gobbler different from the rest? GW Childs keeps his feet on the ground and head in the clouds.

Tip | Nov 19, 2011 by Gary Hiebner

Creating a club edit or a radio edit of your finished track inevitably involves some artistic compromise. Gary Hiebner shows some practical steps involved in creating radio edits in Logic Pro.