Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Graduating from bands to composition then production, he relishes the chance to play anything with keys. A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance writer on music technology and Apple topics for well over a decade, along the way publishing several books on audio software. He has been lead writer at a number of prominent music and technology publications. As well as consultancy, full-time journalism, video production and professional photography, he occasionally plays Hammond, Rhodes and other keys for people who ask nicely. Hollin is Contributing Editor at Ask.Audio.
Use any sample from anywhere, or record your own sounds directly in to Grain to create a limitless selection of atmospheric pads and textures. Here's how.
With his own record label, studios and having worked with artists as diverse as B.B King and Pharrell Williams, we caught up with Dr.Shiver, an accomplished musician as well as producer.
Hardware and software instruments share some common traits. Here, Joe Albano explains how samplers and ROMplers differ, as well as what they have in common.
Why have a separate MIDI controller and audio interface when you can have both in some sexy package? Hollin Jones puts the iRig Keys IO through its paces.
ROLI's ecosystem keeps growing with an upgraded Lightpad Block - the M. Hollin Jones found out what sets it apart from its predecessor, and from pretty much every other MIDI controller...
Understanding how to detune oscillators in a synthesizer is key to getting your own unique sounds. In this short video, Mo Volans takes you through the fundamentals.
Take full control over your sounds with these advanced EQ techniques. Demonstrated using SSL Duende, they can be applied to any EQ with similar controls.
Running Komplete Kontrol in standalone and plugin modes involves different approaches and outcomes. Here's when to use each one, and how they can help you.
By forcing MIDI to conform to different scales you can radically change the way a track sounds. In this short video, Noah Pred explains how to do it.
In a digital world, it's still possible to get analog sound for your productions without using external hardware. In this short video, Rich Tozzoli shows you how it's done.
2017 was a great year for making music on iPads and iPhones, with several major new releases. Here are some of our favourite tools for mobile music-making.
Creating clean, smooth fades at the start and end of tracks ensures no unwanted noise makes it through to the mastering stage when you're finishing your tracks. Here's how it works.
You might not have known that game controllers make the perfect triggers and controllers for samples and effects - but they do! Here's how it works, with many live examples.
The new 64-bit mix processing engine in Cubase 9.5 delivers more sonically accurate results than ever before. Matt Hepworth explains exactly how it works.
Moving from Apple's free GarageBand to Logic Pro involves learning new tools, tricks and techniques. This video with Booker Edwards explains what you need to know.
You have successfully signed up for our newsletter.
Please check your inbox for a verification email. You will need to click on the link provided in order to activate your subscription.