Make Bad Ass Basslines From Boring Pads in Ableton Live

Creating basslines from a pad? Really? Yes, it can be done effectively with a bit of nifty side chaining thrown in to help your Ableton Live basslines stand out from the crowd.  

When it comes to creative basslines within Ableton, or any other DAW, side-chaining tends to be the first method that rolls off of anyone's tongue. And, it's generally in conjunction with a Compressor. In this tutorial, I'd like to focus on side-chaining, and basslines, but with a different method. I will show you how to create a great bassline from a pad, with a filter, specifically Auto Filter.

Step 1 - Choose a Pad

Pads are great bass fodder, as they tend to have an incredible amount of low resonant frequencies ready to pop out, once you get a filter on the case to boost. I'll start off with a very basic pad melody played predominantly in 1/2 and 1/4 notes. Somber, to put it lightly...

Pic 1

For the pad, I'm using Hybrid 3, an amazing soft synth with a very wide frequency range. I chose the pad, Gentle Warmth, as it is highly reminiscent of the warm pads that we all know and love from every classic synth. With that being said, any warm pad, or sawtooth based pad will work for this exercise. 

Step 2 - Filter It!

Once my pad melody is in place, I'll apply an Auto Filter and simply lower the Cutoff Frequency with the XY controller. By cutting off the high frequencies and raising the Q, or Resonance, I'm already able to get a low, sub type of sound with little effort. However, it gets even better...

Pic 2

Step 3 - Modulate

This is where things get fun and interesting, as well as highly different from a Compressor-based sidechain scenario. I'll create a second MIDI track and name it Modulator. I'll drop a Simpler on this track and place a sample within it, that has a short, choppy attack. I used a bass sample, but feel free to experiment. I end up making a pattern like this'

Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like Lu... Read More


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