Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like LucasArts, Lucasfilm, Propellerheads, Cakewalk, Midway, MTV. With all of these exciting companies he's either worked as an editor, or sound designer, even sometimes as an actor. G.W. is currently working as an author for Cengage Publishing. He has written the titles 'Creating Music and Sound for Video Games', 'Rewire: Skill Pack', and 'Using Reason on Stage: Skill Pack'. As a musician G.W. has played for years in the band Soil & Eclipse on COP International Records. Additionally, he's worked as a remix artist for acts like Gene Loves Jezebel, Ray Charles, James Brown, Chiazm, Razed in Black, and more.
If you haven't used Ableton Live 10's new MIDI Capture tool, you're in for a treat. Here's how to use it to grab moments of genius - even when you're not intending to.
Quantizing is incredibly useful but there's more to it than just whacking on some random value. Here is G.W Childs with his guide to the core resolutions that will help you tighten up your EDM.
Wavetable is new in Ableton Live 10 and it's capable of making some monster sounds. In this workshop, G.W.Childs shows you how to go about making some seriously large bass.
Turning simple sounds into completely different effects suitable for use in foley for film and TV is Krotos Audio Reformer Pro's bread and butter. G.W Childs took it for a test drive.
Getting a wider, richer vocal sound without re-recording or heavy editing can be tricky. So could Sonnox's new VoxDoubler save the day? G.W Childs finds out.
Ableton Live has all the tools you need to create your own video game interface sounds. It's fun and can even earn you some money! G.W Childs is here to show you how it's done.
Time management can be something we overlook or even actively get wrong when working on music. Here, G.W Childs shares five of his top tips for making better use of your time and energy.
If you're more of a producer than a player, NI's Flesh can help you build your rhythmic samples into whole tracks. G.W Childs explains how it's done.
A careful blend of encouragement and tough love can be required if your vocalist turns up poorly prepared. Here are some tips to get them up to speed and get the best take possible.
A pair of good quality monitoring headphones are a must for any music producer. But was G.W Childs suitably impressed with the Fostex T60RPs and their mahogany cups?
Going far beyond what a regular MIDI controller can offer, Artiphon's Instrument 1 opens up a whole new world of performance. G.W Childs is suitably impressed...
Sometimes only a real hardware synth will do when it comes to live performance. Here are 5 classics that have served G.W Childs well over the years.
A third party audio-to-MIDI extractor tool can be just the ticket for getting more control over your tracks. So how would LESounds' Groove Extractor measure up?
Bouncing audio with effects and then editing the resulting audio clips is a trick that some producers have been using for years. Here's a practical example of how it works in Live.
Computers weren't always king - for many years, a hardware keyboard workstation was the dream item for players and producers. Here are 5 classics and a trip down memory lane.
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