In this Reason tutorial, G.W. Childs shows how to map samples and instruments in a custom NN-XT patch for a streamlined and efficient laptop performance setup.
Darren Burgos reveals how to easily program electronic-style chord progressions in Logic Pro X which you can then trigger with single keys. Great for producers and performers.
Taken from his Guitar Production 101: Pop Arranging Explored course, in this video Gregg Fine shows how to layer distorted guitars for a bigger, fuller sound in the mix.
While multiple Korg volca's can be easily connected and synced together by themselves, how can you go about connecting, syncing and controlling multiple volca's in Ableton Live? Here's how.
Logic Pro X's new Drum Machine Designer is a great plug-in designed to make controlling and creating drum parts easier than ever. Now, Darren Burgos shows how to use 3rd-party instruments inside it.
Master musician and producer, Eyal Amir, demonstrates some essential mixing tips for live recorded snare parts in the video below.
Imagine being able to jump easily between different mix settings of your song. OK. Stop imagining because Cakewalk's Sonar now has Mix Recall built-in. Gary Hiebner shows what a great tool it is.
Soundtoys aren’t your ordinary plugins. They are designed to inspire creativity in your audio processing and sound design. Joe Albano shows Echoboy in action and explains how it works in this video.
Buried in a long list of new features, improvements and bug fixes in Logic Pro 10.1 is an item that will undoubtedly be of interest to score editor users: an option to choose the Bravura font.
So, you need to track some guitars. They need to sound incredible. Your whole project hangs in the balance, but you don’t have a lot of dough to work with. Andy Bowen is on-hand to help you through.
Programming beats & drums need not be a chore. GW Childs shows how to get your beats grooving in no time (in Reason) in this excellent tutorial article.
If you're feeling stuck in the major, minor and pentatonic scales box when composing or playing, consider investigating modes. Matt Vanacoro explains how modes can transform your music.
Want to make big, fat layered lead synth sounds? Sara Simms takes you through the process using Sylenth in the DAW of your choice. Perfect for beginners and more intermediate producers and musicians.
Ever wonder just what tricks Universal Audio's Console 2.0 is capable of? Matt Vanacoro is on-hand to share his four favorite workflow tips for UA Apollo users.
Become a master of distortion, and better still, the distortion effects plug-ins you'll find in the box with Avid's Pro Tools! Joe Albano gives you a tour of these with audio examples to boot.