In this new mini-series, Joe Albano demystifies the science of studio acoustics. Part 1 deals with common room issues and applies to all of us who have home or pro recording and mixing studio spaces.
Enter the world of creative guitar effects, from distortion and overdrive to outright fuzz. Rich Tozzoli explores how to use these tools to give your guitar tracks a real kick in the right direction.
Integrating Native Instruments' Maschine into your DJ sets might be a lot easier than you think. Whether you want to use it as a controller for Traktor Pro or to control Ableton Live, here's how!
So you're writing melodies and motifs that sound good... how can you improve these? How to make them sound better and work better in your songs? Jay Asher has some advice to share.
Wondering how to get your guitars to cut through the mix better... or even fit in better? Rich Tozzoli shares these tips on how to remove the low end to make everything sound better.
Creating an identity, persona, shadow (whatever you wish to call it) is as integral to your musical expression as it is to your audience's perception and enjoyment of you. GW Childs explores it here.
It's true. Deep house is back with a bang. One of its trademarks are the typical chord stabs. In this Logic Pro X tutorial, Darren Burgos shows how to create hundreds of variations from one preset!
Iris 2 from iZotope is a synth with a lot of easily accessible features which, if used right, can result in some incredible and organic sounds. G. W. Childs shows you how to create unison effects here
Just because Bitwig Studio doesn't support ReWire doesn't mean you can't make it play nice with other DAWs. Gary Hiebner shows how to use Jack and MIDI routing between different apps on Mac and PC.
Image-Line's Sawer synth is a thick, analog-style synth with some serious attitude. In this tutorial, GW Childs shows how to create a Robin Schulz style ducking pad using it in FL Studio.
Do you use Sylenth? If you'd like to make a Dutch House style lead in the style of producers like Afrojack or Martin Garrix, then this tutorial-article by Sara Simms is for you.
Don't read this Logic Pro X tutorial-article if you want your sampled instruments to sound lame, unrealistic and make your tracks sound bad. If you want better results then this is essential reading.
iZotope's Iris 2 continues to reap the rewards of its spectral processing abilities and now also has a powerful new modulation system, enhanced effects and over 11 GB of content.
Return tracks can serve multiple purposes. CPU efficient use of effects, effects for multiple tracks, and more. GW Childs shows how to use return tracks for building effects chains in Ableton Live.
If you use Pro Tools and are keen on your monophonic synths, then you'll find Vacuum a rather fun virtual-tube style synth. Joe Albano shows how to make an edgy bass sound.