Handclaps can be heard in all genres and styles of music. In this quick tutorial, Jay Asher explores how to easily and quickly create handclaps that sound great.
When you want your converted audio to MIDI tracks to really shine in Logic Pro X it pays to use some tried and tested tips and tricks. In this tutorial, Joe Albano shows you how.
So you're fascinated with the idea of DIY MIDI controllers or devices that can interface with Ableton Live or any DAW... but don't know where or how to start? Makey Makey does the hard work for you.
DJ Kiva shows how to get your MIDI Controller to communicate properly with Ableton Live so you can get hands-on in the studio or when performing live.
Changing the pitch and timing of vocals used to be something you could only do in a top end studio. Now thanks to Reason it's at your fingertips!
Get time-stretching (in real-time) in FL Studio 12.3 with this useful guide by Gary Hiebner.
In this video Alex Solano uses the SSL Duende Native's filters to clean up the low end and high end of a piano. Then he explains the different E and G series EQ modes and demonstrates them in action.
These are the kind of Logic tips that can make your Logic Pro X sessions more satisfying. Using just one or two of these shortcuts can be a guaranteed time saver and help you focus on producing.
In this tutorial Ableton Certified trainer, Timo Preece, explores ways to make your compositions in Ableton Live more interesting using asymmetry, polyrhythms and layering different meters.
You've finished recording for your track, the talent has gone home... but, the recordings have glaring flaws. What can you do to fix them in post? Joe Albano explores 7 tools and techniques to help.
Sometimes, it pays to be bold when producing drums. One way is by using the classic 1176 LN Compressor/Peak Limiter, which can take an average sound and turn it into edgy, aggressive monster.
Before you reach for your EQ and compression plugins to shape the sound of your snare drum consider adjusting the character by using multiple microphones and mixing those. It's a powerful way.
Cubase some some very advanced was to manipulate MIDI. One of these lie in their MIDI modifiers. In this tutorial Gary Hiebner takes a closer look at MIDI Modifiers and how to make them work for you.
In this 6-minute video tutorial Thavius Beck shows how to use Elektron's excellent Overbridge and Analog RYTM to make a beat.
You don't need $10,000s worth of analog hardware synthesizers to recreate the gorgeous theme music to Netflix's Stranger Things. Here's how to get very close to the sound using u-he's Diva plug-in.