The new mixer in FL Studio 12 is undoubtedly one of its marquee features, and with good reason. Hollin Jones is here to showcase 10 features in the mixer which every FL Studio user should know about.
If you want to take your production workflow to the next level in FL Studio 12, then understanding the inter-relationship between the Step Sequencer and Piano Roll will bring you much creative joy.
SimSynth is a simple but powerful synthesizer that can get you down to the building blocks of how sound is generated. Using it can help you understand patch building for simple and complex synths.
Now that FL Studio 12 is upon us, Gary Hiebner takes a look at the new Vector-based Mixer. We're not just talking pretty to look at, the new Mixer brings lots more to the table than you might think.
Even if you haven't yet updated to FL Studio 12 yet (why not??) Gary Hiebner shows you how to translate visual pixels into sonic synthesis using BeepMap. We wish every DAW had this!
Next time you wish you could sync FL Studio with another audio app, stop wishing and start doing! Gary Hiebner shows how to run FL as the ReWire host and as the ReWire client in this useful tutorial.
Making big, flowing arp synth lines need not make you sweat. Image Line's Sawer does the job, nice & easy... and best of all the demo of Sawer is included with the FL Studio installer. So get arping!
Image-Line's Sawer synth is a thick, analog-style synth with some serious attitude. In this tutorial, GW Childs shows how to create a Robin Schulz style ducking pad using it in FL Studio.
For a better sonic flexibility, FL Studio allows you to create your own instrument and effect chains using the Patcher. Gary Hiebner explores the ins and outs in this tutorial.
If your FL Studio Step Sequencer has descended into a hard to work with mess you might want to start using filters. G. W. Childs shows how filters can help you tidy up the most unwieldy of sessions.
FL Studio's MIDI tools can help you process and subtly or drastically process your MIDI patterns. Gary Hiebner shares five tips to help you get the most of of MIDI in Image Line's DAW.
Creating a complex and involved industrial style bass arpeggiator sound and pattern in FL Studio just got interesting! G. W. Childs shows how using Poizone 2's and LFO and Trance Gate.
While editing audio is much more flexible than ever before, converting audio into MIDI can add another level to our ability to change a recording. Gary Hiebner shows how to do this in FL Studio.
Make your beats bigger, your basses fatter, your pads super-sized and your textures... well, even more textured(!) with this excellent tutorial on layering instruments in FL Studio by Gary Hiebner.
Take a quick tour of FL Studio with Gary Hiebner who shares 5 of his favorite essential audio editing techniques for Image Line's FL Studio.