Logic Pro X has an impressive Arpeggiator plug-in. It's one limitation? Arpeggiator notes can't be recorded as MIDI in the Piano Roll... or can they? Peter Schwartz shows us how!
Don't waste your time when it comes to producing tracks. Knowing how to quickly wrap up those Ableton Live-based projects with these workflow techniques from Noah Pred will save you in the long run
For a better sonic flexibility, FL Studio allows you to create your own instrument and effect chains using the Patcher. Gary Hiebner explores the ins and outs in this tutorial.
Joe Albano takes an in-depth look at how to make the most of Logic Pro's ES2 modulation matrix in this tutorial. If you're serious about modulation, this tutorial is for you.
Interested in taking your studio-based compositions and turning them into live performance ready tracks? Timo Preece is here with some helpful workflow and layout suggestions.
Using Leap Motion as a MIDI Controller? Really? Oh yes, it can be done...
We're suggesting using Guitar Rig 5 to create a rhythmic synth patch? Oh yes, we are indeed. Toby Pitman shows you how in this excellent quick tutorial.
It's a fact. Sample libraries are getting better and more realistic and expressive, but that means they're also getting bigger too. Here's some tips on how to manage big libraries from Hollin Jones.
Ever wonder how to use a multi-output Kontakt 5 drum patch in Bitwig Studio? Well wonder no longer as G. W. Childs is here to enlighten us all.
Want to give your Logic Pro X productions a DJ-style filter sweep effect? Easy! Darren Burgos shows you how in this quick tutorial.
Whether you're the music composer for a Hollywood blockbuster or a smaller production, there are certain things you NEED to be prepared for. Experienced composer, Jay Asher, shares the knowledge.
If your FL Studio Step Sequencer has descended into a hard to work with mess you might want to start using filters. G. W. Childs shows how filters can help you tidy up the most unwieldy of sessions.
When you get down to the nitty gritty of sequencing your track or arranging your composition in Logic Pro X, it will help to know these 10 tips by producer and remixer, Darren Burgos.
You have be aware of mid-side as a stereo mic recording technique, but it is also a mastering process. Joe Albano explores M-S processing can open up new possibilities when mastering a stereo file.
Wanna create some realistic fills for your drum track… don't have a real drummer? Don't have quick fingers to play patterns live via a keyboard? Logic Pro X's Drummer is here to help.