Creating basslines from a pad? Really? Yes, it can be done effectively with a bit of nifty side chaining thrown in to help your Ableton Live basslines stand out from the crowd.
You’ll spend a lot of time editing audio parts in Cubase. Here are some useful timesavers and power tips from Hollin Jones to help you along the way!
Logic Pro X's Patches feature allows you to quickly bring up a collection of audio effects with settings with one-click. But do we need that many, and should we be more selective when mixing down?
If you've used Ableton Live 9's Warp features and don't rate it highly, you might be doing something wrong! Noah Pred shows how to warp audio effectively and error-free in this essential tutorial.
In part 2 in this exploration of Logic Pro X's Arpeggiator MIDI plug-in, Gary Hiebner shows how to export Arp patterns, use the Grid mode, and use more than one arpeggiator together.
Getting past the GUI of Logic Pro X's arpeggiator MIDI effect plug-in can bring about some tasty rewards for your productions. Gary Hiebner takes you on an arpeggiation journey.
Technology is empowering musicians like never before. There are fewer barriers between going from studio to stage for a one-man band. But should we be dispensing with real drummers so easily?
Ever wanted to stretch a sound or song beyond the point you can identify the original source? The the free Paulstretch plug-in and app will be right up your sonic street. Rishabh Rajan shows how.
When it comes to electronic music production, you might be forgiven for imagining a lone producer creating tracks in isolation. It doesn't have to be that way, and music may even be better together.
Changing Grid Resolutions during the creation of a drum pattern is pivotal in creating better drum beats. In this tutorial, G.W. Childs shows how important the Grid is for beat making in Ableton Live.
It's time to take control of your synths and sampler instruments in Logic Pro X! Darren Burgos shows how to use the routing options in ES2 and EXS24 for interesting sonic manipulation.
It's common practice to play with the BPM to achieve a different pace in our songs. But how often would you alter the time signature, and should we be exploring new meters when composing?
Designing thick, rich pad sounds that can morph into rhythmic ones in Propellerhead Reason just got a whole lot easier thanks to this excellent tutorial on Alligator by G. W. Childs.
Though not designed primarily as a standalone device, the Apple Watch could be a useful controller, recording tool and metering analyser for musicians and DJs. Can you think of any more uses?
Whether you think about it or not, working with tempo is something you're doing every time you work in Pro Tools. Here are 4 excellent tempo tips to help you stay in time in your sessions.