Sound Design with Skanner XT

Skanner is a feast for the musical senses, a veritable playground for digital musicians! G. W. Childs IV shows how to mangle out a basic synth bass from this beast of a virtual instrument.  

Native Instruments makes some synthesizers that are deep... And, that’s an understatement. While they are some of the most advanced synthesizers on the market, especially in regard to the Reaktor-based synthesizers, they are also some of the more inexpensive. 

I’ve especially enjoyed my purchase of Skanner XT, a sample-based, quasi-synthesizer that really does have a sound of its own. You can use it like a sampler, but it’s not really what Skanner is designed for. It’s intended for sound mutilation. 

In this article, I’d like to show you how to create a basic synth bass, using this amazing synthesizer. And, while we’re creating, we’ll get to know Skanner XT just a little bit better.


Step 1 - No Init Patch

Unlike many of their other synths, Native Instruments did not supply an Init patch. Or, a patch where most of the knobs and sliders are zeroed, or just a basic synth patch that doesn’t have much going on. So, for this tutorial, I’ll choose one of the patches in the factory sound bank.

Lead > Choir Organic


I’ll choose Choir Organic from the Lead category within Skanner’s factory soundbank, which is a relatively simple patch, and doesn’t have too much crazy routing that will interfere with making a basic patch.

Now that we have a mutual starting patch, let’s do a small amount of zeroing. Go to the B panel and lower the Position Envelope knob to midway. Doing this will cause all sound to stop working, because the envelope is no longer moving the playhead. We’ll fix this soon enough, though!

Lower the Position Envelope knob to midway


Step 2 - Sample Player

Now that we don’t have anything moving the playback head of the sample player, we’ll need to set something up. Move the Oscillator A Position Modulation knob to about 10 O’Clock. 

Set Oscillator A Position Modulation knob to 10 O’Clock


Even after setting up a new modulation source, you’ll notice that there’s still no sound when you try to play. This is because the playback head is set to the very beginning of the current sample, and is not being modulated enough to make a sound. This can be easily fixed by choosing a new sample position. I’ll move my sample position over to about a tenth of the way in.

Move sample position over to about a tenth of the way in


Step 3 - Bass Making

Now, if I play my keyboard, I’ve got some sound. But, it’s high and squeaky. 



I’m making a bass here! Oscillator A Pitch is currently set to 60. Let’s take the Pitch down to 24 to make it a lot lower.

Pitch down to 24


Now, it’s closer to a bass, but it would be really nice to give it a little more spine and low-end. Nothing does this better than filtering out the high end... We’re going to do that, but subtly. I’ll turn down the Hi Cut, within the Filter section to eleven O’Clock.

Hi Cut turned down to eleven O’Clock


Then, I’ll raise the Filter Output slide in the Mix section to the same level as the Sample player output level. I also turn the Sample player output down slightly to give the filtered output a little more strength over the unfiltered. This simple setting will make the bass feel much bigger, and bass-ier. 

Raise the Filter Output and turn down the Sample player output slightly


Alright, let’s take a listen...



Nice, we’ve got a really cool distorted ‘TB-303’ style bass that can be used to beef up any tune you’re working on. And, it was just that easy! Skanner XT is a really easy synth to get a cool sound out of, it just takes a little getting used to. Try mangling some more presets on your own!


Sound Designer, Musician, Author... G.W. Childs has worn many hats. Beginning in the U.S. Army back in 1991, at the age of 18, G.W. began learning electronics, communications and then ultimately audio and video editing from the Department of Defense. Upon leaving the military G.W. went on to work for many exciting companies like Lu... Read More

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