Blue Microphones tell us that the world's most versatile tube mic system, Blue's flagship Bottle microphone features in the Bottle Mic Locker , along with four of Blue's interchangeable capsules.
A common question for recording musicians and engineers is whether to use a dynamic or condenser microphone. In this article, Joe Albano explores conventional advice to see whether they hold true.
If you're a vocalist or a producer working with a vocalist, these five tips are designed to help bring out the vocalist's muse and therefore release the performance you're looking for.
Noted Mic Expert Matt McGlynn (Roswell Pro Audio) has introduced a new large-diaphragm studio condenser microphone workhorse, designed to be comfortable recording anything.
The Aston Origin has caused quite a stir since it was introduced, but does it really live up to the hype? Matthew Loel T. Hepworth compares it head-to-head with three other popular microphones.
So you're looking to buy a new condenser microphone? Hold on... here's six things you should consider before you part with your hard earned cash.
A good reflection filter can solve a lot of issues when recording vocals in an untreated room like your bedroom. Aston have announced their new Aston Halo, a reflection filter with some great tech.
Editor's Keys have been creating their own music hardware for a while now. They already make microphones, so a vocal isolation booth seems like a good companion. Hollin Jones puts it to the test.
Recording vocals is arguably easier than recording a drum kit, but there are still common mistakes to avoid when laying down vocal tracks or recording vocal talent. Here's six things to bear in mind.
A wireless, handheld microphone designed for live performance is essential even in the studio. DPA's d:facto II vocal supercardiod microphone is given a full workout by Matt Vanacoro in this review.
Blue's Rocket Mic Locker has the power and versatility of an entire mic locker in a single package, featuring the Bottle Rocket Stage One mic, along with four of Blue's interchangeable capsule.
If you're a sucker for vintage looking microphones (who isn't?) but want modern electronics inside, then Ear Trumpet's new Evelyn studio stereo microphone will get your juices flowing.
USB microphones often get bad press for being... well USB. So Matt Vanacoro was pleased to discover how the SL6000 USB proved to be versatile and good-sounding for voice over applications.
It used to be impossible to consider purchasing a good ribbon mic for $300 or less!. Hollin Jones sees whether sE Electronics' budget ribbon mic, the sE X1R, adds quality as well as value.
It appears USB mics are now being accepted as potentially good recording solutions in many home studios. Does Samson's "budget" C01U Pro USB mic defy its price?