Tutorial | Dec 05, 2010 by Rounik Sethi

Logic 9 comes bundled with masses of loops, instruments and effects. Best of all, the instruments and effects can be highly customized! Once you've made changes to the settings of any plug-in, it's cu

Tip | Dec 03, 2010 by Rounik Sethi

The Touch Revolution is upon us. Whether or not you have used an iPhone or iPad to control Logic 9.1.3 or not, most Mac users now have touch control at their finger tips (sic). If you are using a Macb

Tip | Nov 28, 2010 by Rounik Sethi

There are a lot of guitar simulation plug-ins available for digital musicians these days. Included with Logic 9 is Amp Designer and Pedal Board - a welcome departure from the older Guitar Amp Pro plug

Tutorial | Nov 27, 2010 by Rounik Sethi

Learning how to automate levels, pan and virtually any plug-in control in Logic opens a whole world of possibilities when mixing your music. Not only can you draw automation offline but you can also r

Tip | Nov 23, 2010 by Rounik Sethi

In continuation of the recent MIDI Editing Quick Tip: The Art of Selection, I'd like to share one essential and marvelous work flow tip that can save you huge amounts of time. If you've ever needed to

Tutorial | Nov 22, 2010 by Rounik Sethi

In the first part of this How-to create glitch effects series in Logic we explored the process of manipulating audio samples / micro-sounds in the Arrange  window. Giving the sense of a hit or sound

Tip | Nov 20, 2010 by Rounik Sethi

Logic has always been very strong in the MIDI department. Despite the introduction of advanced audio editing features in Logic 9, such as Flex Time, MIDI is still king of the hill and the easiest and

Tip | Nov 18, 2010 by Rounik Sethi

If you map one audio sample in Logic's EXS24 from C1 to C4 not only will you be able to create a pitched instrument, you will also notice the duration of the sample will be altered. The higher the pit

Tutorial | Nov 17, 2010 by Rounik Sethi

One of the most famous experimental glitch artists today is BT. His album "This Binary Universe" is a favorite in my collection and features carefully crafted microsounds that stutter in and out of ti

Review | Nov 16, 2010 by Rounik Sethi

Every time there is an announcement of a new version of Pro Tools, Cubase or Logic, the rumor-mill in the world of DAWs proclaims it to be the "[insert competitors DAW here] Killer". I take these stat

Tutorial | Nov 13, 2010 by Rounik Sethi

You've recorded a great multi-track drum take. The performance was perfect, but let's say the kick drum sound leaves a lot to be desired... What do you do? In previous versions of Logic you had a coup

Tutorial | Nov 10, 2010 by Rounik Sethi

Compressors can be a great way to even out the dynamics of a drum mix, vocal performance or any audio signal. A compressor works by lowering the gain when the signal jumps above a certain level or thr

Tip | Nov 05, 2010 by Rounik Sethi

An often used technique in music production to spice up a song is to reverse a sound. Commonly used in Electronic forms of Dance music is a reversed Crash Cymbal which can be a great way to lead in to

Tutorial | Oct 29, 2010 by Rounik Sethi

I have a confession to make... I'm addicted to creating weird (and sometimes wonderful) sound effects in Logic. There's something undeniably satisfying about stretching, flexing, effecting, warping, a

Tutorial | Oct 26, 2010 by Rounik Sethi

When not hanging around the macProVideo forums you can usually find me immersed deep in my studio using Logic's instruments and effects designing and creating ambient textures and