There's plenty of useful tips and tricks for getting the timing of your productions just right in Eyal Amir's new Cubase video course. Here's one video showing how to musically adjust hit points.
Logic Pro X 10.1 has been out for a few weeks, but there's new features many Logicians may not be fully aware of. Joe Albano takes you through his top 7 improvements and explains how they work.
Editing audio waveforms had become run of the mill. If you want to get into editing frequencies of audio files, then spectral audio editing is for you. Gary Hiebner shows how using Adobe Audition.
Using recycled loops to create new drum kits is what we've got on the menu for you here... and all you need is Propellerhead Reason to do it. G. W. Childs is your guide.
It's official, using hardware synths is Ã¼ber cool. But at some stage you're going to want to hook them up, sync them, record them, mix them in your software-based DAW. Matt Vanacoro shows how.
In part 3 of our series of the science of studio acoustics, Joe Albano delves into issues related to mid- and high-frequency reflections.
Apple's new Force Touch trackpad features force sensors so you can click anywhere and receive haptic feedback wherever your finger is on the surface. So how could this be useful for music making?
Making big, flowing arp synth lines need not make you sweat. Image Line's Sawer does the job, nice & easy... and best of all the demo of Sawer is included with the FL Studio installer. So get arping!
Got Push? Got Ableton Live? Got a glitch-hop beat in your head that needs to come out? Don't want to touch that mouse or trackpad? Perfect! Read this!! If only Push could control web browsers too...
This mini-series sees Joe Albano demystifing the science of studio acoustics. In Part 2 we look at low-frequency standing waves which can get in the way of getting a well balanced mix.
In this new mini-series, Joe Albano demystifies the science of studio acoustics. Part 1 deals with common room issues and applies to all of us who have home or pro recording and mixing studio spaces.
Creating an identity, persona, shadow (whatever you wish to call it) is as integral to your musical expression as it is to your audience's perception and enjoyment of you. GW Childs explores it here.
It's a fact. Sample libraries are getting better and more realistic and expressive, but that means they're also getting bigger too. Here's some tips on how to manage big libraries from Hollin Jones.
Beats: we all create them'"some better than others'¦ Sound Designer, G. W. Childs is here to share 8 tips to help you create better beats for your tracks, whatever DAW you use.
So you might be considering picking up some bargains in a seasonal sale, or just want to burn a hole in your pocket'¦ but do you really need new music gear? G.W. Childs plays devil's advocate.