Now that FL Studio 12 is upon us, Gary Hiebner takes a look at the new Vector-based Mixer. We're not just talking pretty to look at, the new Mixer brings lots more to the table than you might think.
Logic Pro X has simplifed the process of recording multiple MIDI tracks. That being said, you need to know the correct settings and quirks which is why Joe Albano is on-hand to show you how.
Welcome to part 1 in this series on music production techniques. You could think of these as essential audio concepts every self-respecting producer should know! Let's start with Delay & Echo.
Ever been confused about how to connect your MIDI hardware? Don't sit scratching your head, Booker Edwards Jr. shows how to get the physical connections in place for a simple MIDI setup.
Darren Burgos reveals how to easily program electronic-style chord progressions in Logic Pro X which you can then trigger with single keys. Great for producers and performers.
Taken from his Guitar Production 101: Pop Arranging Explored course, in this video Gregg Fine shows how to layer distorted guitars for a bigger, fuller sound in the mix.
While multiple Korg volca's can be easily connected and synced together by themselves, how can you go about connecting, syncing and controlling multiple volca's in Ableton Live? Here's how.
Logic Pro X's new Drum Machine Designer is a great plug-in designed to make controlling and creating drum parts easier than ever. Now, Darren Burgos shows how to use 3rd-party instruments inside it.
Master musician and producer, Eyal Amir, demonstrates some essential mixing tips for live recorded snare parts in the video below.
Imagine being able to jump easily between different mix settings of your song. OK. Stop imagining because Cakewalk's Sonar now has Mix Recall built-in. Gary Hiebner shows what a great tool it is.
Buried in a long list of new features, improvements and bug fixes in Logic Pro 10.1 is an item that will undoubtedly be of interest to score editor users: an option to choose the Bravura font.
So, you need to track some guitars. They need to sound incredible. Your whole project hangs in the balance, but you don't have a lot of dough to work with. Andy Bowen is on-hand to help you through.
Programming beats & drums need not be a chore. GW Childs shows how to get your beats grooving in no time (in Reason) in this excellent tutorial article.
If you're feeling stuck in the major, minor and pentatonic scales box when composing or playing, consider investigating modes. Matt Vanacoro explains how modes can transform your music.
Want to make big, fat layered lead synth sounds? Sara Simms takes you through the process using Sylenth in the DAW of your choice. Perfect for beginners and more intermediate producers and musicians.