The advice from most is to not have any effects on your master channel when mixing. However, Rich Tozzoli breaks away from convention to explore how a mastering chain can help your mixes.
With so many quality plug-ins available in the UAD ecosystem, don't get stuck choosing the right reverb. Matt Vanacoro suggest his top 7 reverb processors for specific production tasks.
Summer is a great time to get energized and throw yourself into producing and performing music. Here are some top tips to help you refresh your creative juices!
The large diaphragm condenser microphone is the most common choice for vocal recording. But do you NEED to spend a fortune? Joe Albano explores the mic choices that won't necessarily bankrupt you.
If your Live session is making your computer grunt & groan under the workload, then this article from Joshua Casper is for you. Here's a multitude of ways to cut back on the CPU load in Ableton Live.
In parts 1–3 we looked at recording audio and MIDI in Cubase 8.5, but now you need to start putting everything in the right place. It's time to get editing and arranging. We show you how it’s done.
If you use a compressor plug-in you're already manipulating the dynamics of a sound or the mix. In this enlightening long-read tutorial, Joe Albano explains exactly what dynamics is and more.
The AIRA range of hardware music machines are inspiring to get hands on with. In this tutorial, Sara Simms shows how easy and satisfying it is to create techno tracks using the TR-8, TB-3 & MX-1.
A good drum mix can make the difference between a good track and successful track. In this tutorial, Joe Albano shares four timeless tips to help you achieve a better drums and percussion mix.
Markers can help organise your project in Logic Pro X. There’s lot of ways they can help when you’re producing. This video tutorial shows you how.
You will almost certainly be using audio as well as MIDI tracks in your Cubase projects. Here’s how to get it right first time.
One big new feature in Propellerhead Reason 9 is the convert Audio to MIDI feature. In this tutorial, GW Childs demonstrates some interesting ways to make it part of your production workflow.
Liam Lacey, winner of the Element14 Open Source Music Tech Design Challenge, for his hardware polyphonic digital synthesizer shares 5 pieces of advice for every aspiring DIY hardware synth maker.
If we told you that you could build your own omnidirectional condenser microphone for less than $8 in under 3 minutes you might not believe me. But you can! And Joshua Casper shows you how.
In this video tutorial, audio expert Joe Albano, explores the Vintage Opto emulation mode in Logic Pro X’s Compressor, including explaining the original Teletronix LA-2A with tips. Well worth a watch!