The next iPhone will be faster, but that's not all Apple needs to do to make its phones more appealing to musicians. Hollin Jones thinks the problems lie not with hardware but elsewhere.
Just pressing the Go button isn't enough to guarantee a good performance. Here, G.W Childs shares some of the things he's learned from hosting live streams.
Compositing audio takes is an essential skill for crafting the perfect performance. In this video, Booker Edwards shows you how to do it in Logic Pro.
We all need to look after our hearing, and it's not just heavy metal drummers that are at risk from long term exposure to noise. Joe Albano explains how to take care of your ears.
Can you really draw parallels between a book on the art of seduction and the process of music production? G.W Childs thinks so! Here's his take on it.
Automation is one of the most powerful tools in any modern DAW and something that was once only found in pro studios. Here are some top tips to help you get the most out of it in Cubase.
Creating hip hop loops for yourself or to sell commercially can be great fun. Here are some tip tips to help you get hipping, hopping, and hopefully not stopping.
Sometimes it's the little things that make all the difference - tips, tricks and techniques that can take a recording from good to great. Joe Albano explains four of his favorites.
Templates in Logic - and any DAW - can save you a bunch of time setting up and let you get straight to the business of making music. Joe Albano explains how they work.
Getting the perfect monitor mix can be tricky but by using the awesome power available in the UA Apollo hardware and software, it needn't be a chore, as Matt Vanacoro explains.
Logic Pro's ability to apply processing to specific sections of audio is incredibly useful for your workflow, saving you duplicating tracks or automating effects. Matt Vanacoro explains why.
So you just know you've got the goods to make hits: you've got the ears, you know the trends, and you've got the nerve. Now you need the gear. Here's why you need an audio interface in your setup.
The recording process can throw all kinds of curve balls at you, however well prepared you may be. Joe Albano shares some industry secrets that can save your bacon if the worst happens.
Of all the mixing tools you can think of, your car probably doesn't feature very high on the list. But it should! Here's why.
We all lust after shiny new gear from time to time, but is it always a good idea? Shane Berry has some advice on when to leap, and when to only look.