Pro Tools 10 does a lot of the sample rate conversion for you behind the scenes. However, there are times when you'll need to be sample-rate savvy. Mike Watkinson demonstrates when and why.
Hollin Jones gets retrospective and takes a look at the audio hardware and software that has helped to define the past year.
There's a lot more to window management than meets the eye. Scott Freiman, MPV Pro Tools Master Trainer, takes a look at how windows can be configured in Pro Tools for maximum benefit.
Working with AudioSuite-rendered clips just became much easier. For example, Trimming beyond the boundaries of the edit selection is now possible. Mike Watkinson gets a handle on this new feature.
In theory 32 bit floating point audio is the way forward. But how will it change the way you record and mix in Pro Tools? What are the practical benefits and disadvantages? Mike Watkinson explains.
The Elastic Audio features in Pro Tools provide ultimate flexibility (sic) when editing drums and rhythmic parts. Mike Watkinson puts all its modes to the test on vocal performances.
One of the most intriguing abilities in Pro Tools 10 is being able to visually match volume levels dynamically across clips. Rounik Sethi gets to grips with the new Clip-Based Gain feature.
The secret is out. Avid has announced the latest version of their flagship Digital Audio Workstation, Pro Tools 10! And this new version is packed to the brim with new features and improvements.
Pro Tools has come excellent arrangement, editing and composition tricks up its sleeve. One of these, Region Grouping, can be a real timesaver. Mike Watkinson explains the what, why and how.
You've likely heard of (or used) the elastic audio feature to make timing changes to audio in Pro Tools, but have you come across Elastic Pitch? Read on to discover more!
Pro Tools vs. Logic. Which do you use? In this ultimate slugfest-of-a-DAW match, David Earl and Keith Crusher set out to discover which is the ultimate DAW... by comparing their respective features.
Most people believe Pro Tools only has 2 windows! There's actually 14 possibly windows, and with so many to switch between Window Configurations becomes very useful.
If you thought that Beat Detective was the only effective way to fix drums in Pro Tools think again. Elastic Audio is a useful alternative! Mike Watkinson shows just how flexible it can be!
Pro Tool's Beat Detective can do amazing things for the timing of recorded audio in the right hands. In this tutorial, Mike Watkinson demonstrates how to best get groove quantising.
We all dream of being smarter, more charming, more perceptive, etc. It’s in our DNA to want to improve and become better than what we already are. Subliminal audio could help you achieve this!