Working with AudioSuite-rendered clips just became much easier. For example, Trimming beyond the boundaries of the edit selection is now possible. Mike Watkinson gets a handle on this new feature.
In theory 32 bit floating point audio is the way forward. But how will it change the way you record and mix in Pro Tools? What are the practical benefits and disadvantages? Mike Watkinson explains.
The Elastic Audio features in Pro Tools provide ultimate flexibility (sic) when editing drums and rhythmic parts. Mike Watkinson puts all its modes to the test on vocal performances.
One of the most intriguing abilities in Pro Tools 10 is being able to visually match volume levels dynamically across clips. Rounik Sethi gets to grips with the new Clip-Based Gain feature.
The secret is out. Avid has announced the latest version of their flagship Digital Audio Workstation, Pro Tools 10! And this new version is packed to the brim with new features and improvements.
Pro Tools has come excellent arrangement, editing and composition tricks up its sleeve. One of these, Region Grouping, can be a real timesaver. Mike Watkinson explains the what, why and how.
You've likely heard of (or used) the elastic audio feature to make timing changes to audio in Pro Tools, but have you come across Elastic Pitch? Read on to discover more!
Pro Tools vs. Logic. Which do you use? In this ultimate slugfest-of-a-DAW match, David Earl and Keith Crusher set out to discover which is the ultimate DAW... by comparing their respective features.
Most people believe Pro Tools only has 2 windows! There's actually 14 possibly windows, and with so many to switch between Window Configurations becomes very useful.
If you thought that Beat Detective was the only effective way to fix drums in Pro Tools think again. Elastic Audio is a useful alternative! Mike Watkinson shows just how flexible it can be!
Pro Tool's Beat Detective can do amazing things for the timing of recorded audio in the right hands. In this tutorial, Mike Watkinson demonstrates how to best get groove quantising.
We all dream of being smarter, more charming, more perceptive, etc. It’s in our DNA to want to improve and become better than what we already are. Subliminal audio could help you achieve this!
Automation can add life and a dynamic quality to a mix. Knowing how to edit, scale and trim this data after the fact is essential. Mike Watkinson shows you how to do just this in Logic and Pro Tools.
Turning your ideas into a music doesn't stop once you've finished recording. These tips on arranging your session will help you save time when experimenting with your arrangement.
A nice long reverb can be very effective on, say, a vocal to create the feeling of space, effective when there is time between phrases for it to be clearly audible.