Fancy learning how to create unique filter processed drums using Reason's Synthetic Rig? The Filter Pattern rack is incredibly usable as Mo Volans shows in this video tutorial.
Too much choice can be a bad thing... or can it? Joe Albano walks us through Logic Pro X's delay plug-ins and demonstrates which are best suited for different effects.
Once you have Audio recorded into Cubase, how does that signal flow through the DAW? Matthew Loel T. Hepworth will show you how the signal flows downstream.
Along with the new effects and instruments in Komplete Select that come bundles with the Maschine 2.3 update are tons of tips and tricks you can employ in your productions. Here's 4 awesome ones!
When mixing your next project (especially orchestral) spare a thought for your audience. Using pre-fader sends, Peter Schwartz shows how to simulate how sounds will be perceived.
Roy Furr is back by popular demand with these timeless arranging and production secrets for making tunes DJs will want to play over and over again.
Take your Reason mixing chops to the next level with these useful automation tips from Hollin Jones.
The state of the audio nation is at a crossroads. With internet bandwidth increasing, we don't need to data compress audio files as much as before. Joe Albano explores quality vs. size.
When it comes to mixing, rather than choosing one plug-in at a time, why not go for a channel strip which includes multiple plug-ins! Matt Vanacoro shares his 3 favorite UAD channel strips to date.
Sometimes recording acoustic guitars and finding that sweet spot can be tricky. Joe Albano explains how to improve the quality of your recordings depending on the pickups used in the mix.
The MixConsole in Cubase 8 has some powerful tools built into every channel. Tools that might even save you using third-party plug-ins'¦
Logic Pro X is one flexible DAW. Jay Asher is here to help you make the most of the Logic's mixer by creating different mixer views and saving them to screen sets. Plus, it's easy once you know!
Revoice Pro 3 is the secret weapon for top level producers world-wide who do pitch and time audio editing. If you're even slightly curious then this article will show you how to make it work for you.
Even if you haven't yet updated to FL Studio 12 yet (why not??) Gary Hiebner shows you how to translate visual pixels into sonic synthesis using BeepMap. We wish every DAW had this!
With some choice hardware and plug-ins, even when you're out of the studio you can get some truly excellent sounding guitars. Rich Tozzoli uses his UA Apollo and 3 stomp boxes in UAD v8 to good effect