When mixing your next project (especially orchestral) spare a thought for your audience. Using pre-fader sends, Peter Schwartz shows how to simulate how sounds will be perceived.
Roy Furr is back by popular demand with these timeless arranging and production secrets for making tunes DJs will want to play over and over again.
Take your Reason mixing chops to the next level with these useful automation tips from Hollin Jones.
The state of the audio nation is at a crossroads. With internet bandwidth increasing, we don't need to data compress audio files as much as before. Joe Albano explores quality vs. size.
When it comes to mixing, rather than choosing one plug-in at a time, why not go for a channel strip which includes multiple plug-ins! Matt Vanacoro shares his 3 favorite UAD channel strips to date.
Sometimes recording acoustic guitars and finding that sweet spot can be tricky. Joe Albano explains how to improve the quality of your recordings depending on the pickups used in the mix.
The MixConsole in Cubase 8 has some powerful tools built into every channel. Tools that might even save you using third-party plug-ins…
Logic Pro X is one flexible DAW. Jay Asher is here to help you make the most of the Logic's mixer by creating different mixer views and saving them to screen sets. Plus, it's easy once you know!
Revoice Pro 3 is the secret weapon for top level producers world-wide who do pitch and time audio editing. If you're even slightly curious then this article will show you how to make it work for you.
Even if you haven't yet updated to FL Studio 12 yet (why not??) Gary Hiebner shows you how to translate visual pixels into sonic synthesis using BeepMap. We wish every DAW had this!
With some choice hardware and plug-ins, even when you're out of the studio you can get some truly excellent sounding guitars. Rich Tozzoli uses his UA Apollo and 3 stomp boxes in UAD v8 to good effect
Learn how to control the stereo dimension of your Ableton Live mix thanks to this in-depth tutorial from The Sound Tutor. You can also work through and download the included project on Splice.com.
It's the weekend and it's time to relax. G. W. Childs shows how to create an evolving, ambient background sonic landscape in Propellerhead Reason's Thor.
Are you into creating dub, trap or long echoes in your beats, or are you after some glitchy effects for your drum patterns? G. W. Childs shows how in this Korg volca beats tutorial video.
Propellerhead Reason users take note! Hollin Jones is all about spatial effects and in this quick read he shares six excellent tips for making the most of reverb in Reason.