There's often more than one way to achieve a production trick in Logic Pro X. That's true when creating crescendos too. Master Logician, Jay Asher, shows you how to add impact to your music in Logic.
Electronic music is often accused of being stale / repetitive – but using a few tricks in Live 9's enhanced MIDI editor, it's easy to create dynamic drum loops & get them ready for use in your tracks.
Do you use suspended chords, 7ths, 9ths, 11ths and 13ths in your compositions? They might feel harder to use than triads in your compositions, but Lynda Arnold is here to show you how.
There's something so satisfying about randomly stumbling upon sounds and fx you'd never have consciously created. Gary Hiebner shows how to use the Randomizer Max for Live device to good effect.
One of the most impressive improvements in Logic Pro X is the addition of MIDI FX plug-ins, in particular the Arpeggiator. In this tutorial Darren Burgos reveals two ways to capture its actual output.
30 years on and MIDI is alive and kicking. But what about the next 30 years? What about current and future alternatives? G. W. Childs investigates the emerging technology for musicians.
You've been toiling away in the studio creating excellent tracks in FL Studio. But your journey is not over... it's time to perform live. Gary Hiebner uncovers the joys of Performance mode.
Bass amps are for bass players only? Nope! Kick open Logic Pro X and follow this excellent tutorial by Darren Burgos as he shows you how to use Bass Amp Designer in new and novel ways for synths.
Akai's APC40 is an awesome bit of kit for DJs & producers. Rory Dow, master synthesist and Ableton Live user, explores how to make it even better using Max for Live. (Part 2/2)
David Earl (aka SFLogicNinja) is here on a mission. The mission is to explain the history of FM synthesis (you know, Ghostbusters basslines, etc). In this fascinating article David does that and more.
NI's Razor is appreciated for its cutting-edge sonic capabilities. In this tutorial, G. W. Childs slices through the many layers of this complex synth with a mind to get vocoding.
The Trap music genre seems to be constantly evolving... and borrowing from other more established styles too. In this tutorial, G. W. Childs shows how to make Trap style beats in Propellerhead Reason.
The jury is most definitely in about Logic Pro X, and the overall reaction is very positive. One of the areas to receive some love from Apple was the Score Editor! Peter Schwartz takes a closer look.
There's grooves and then there's grooves. In this tutorial, Ableton Certified Trainer, Noah Pred, shows how to take your Ableton Live 9 groove creations to the next level polyrhythmically.
Want to modulate your sounds or a particular control on a synth or plugin in Ableton Live 9? Max for Live's LFO is here for exactly that purpose and Gary Hiebner is here to show you how to it works!