Are you distracted by too many choices when it comes to mapping your MIDI controller to your DAW? Exerting too much effort on non-musical tasks? Timo Preece explores auto and manual mapping in-depth.
It's official, using hardware synths is Ã¼ber cool. But at some stage you're going to want to hook them up, sync them, record them, mix them in your software-based DAW. Matt Vanacoro shows how.
Everyone loves their Korg Volca Beats (who wouldn't love this analog drum machine?) G. W. Childs shows how to sync it with Ableton Live and pan the drum sounds for a fuller, more professional mix.
Cubase has always been one of the most powerful DAWs when it comes to MIDI programming, but did you know you don't even need a keyboard to create beats and melodies? Read on to find out how it works'¦
If you've ever felt shy about opening up Logic Pro's Event List, it's time to take some courage. In fact, it's not a scary place and can be incredibly useful as Jay Asher explains here.
Just because Bitwig Studio doesn't support ReWire doesn't mean you can't make it play nice with other DAWs. Gary Hiebner shows how to use Jack and MIDI routing between different apps on Mac and PC.
Don't read this Logic Pro X tutorial-article if you want your sampled instruments to sound lame, unrealistic and make your tracks sound bad. If you want better results then this is essential reading.
Logic Pro X has an impressive Arpeggiator plug-in. It's one limitation? Arpeggiator notes can't be recorded as MIDI in the Piano Roll... or can they? Peter Schwartz shows us how!
Using Leap Motion as a MIDI Controller? Really? Oh yes, it can be done...
Wanna create some realistic fills for your drum track'¦ don't have a real drummer? Don't have quick fingers to play patterns live via a keyboard? Logic Pro X's Drummer is here to help.
FL Studio's MIDI tools can help you process and subtly or drastically process your MIDI patterns. Gary Hiebner shares five tips to help you get the most of of MIDI in Image Line's DAW.
So you might be considering picking up some bargains in a seasonal sale, or just want to burn a hole in your pocket'¦ but do you really need new music gear? G.W. Childs plays devil's advocate.
We've all used samples. And when it comes to using a sample-based MIDI orchestra, there's a number of techniques and tricks we can use to make them sound more realistic. Peter Schwartz to the rescue.
There's not many (any?) virtual instruments with an exclamation mark in their name. But that's not the reason Xpand!2 sample playback/synth deserves your attention. Joe Albano takes you deep into it.
Move over robotic beats, it's time to welcome in shuffles and humanized grooves. And Bitwig Studio allows you to do just that. Gary Hiebner shows you the way to the dance floor.