When producing sequenced patterns for any style of music, one of the main challenges is introducing perceived pace and energy to your work. Luckily there are a few simple tricks we can use here...
A while back I was wrestling with trying to correct phase for my microphone set up. The microphones all had a different distance between one mic to another. This would not have been such a big deal wi
Over the coming weeks I'm going to go over some of Logic Pro's quantizing features and hopefully shed some light on some of the more advanced aspects of these powerful time correction tools. Logic's f
There are a huge amount of drum libraries available now and these feature just about every style of drum hit you could imagine but one thing I find is that they are often lacking in basic stereo width
Since its earliest incarnations, one of the most common prescriptions for curing Logic of its occasional ills (read: wonky, strange, or seemingly buggy behavior) has been to trash its preference file.
Not enough bottom end in your mix? Kick drum a bit weedy, thin or disappointingly lightweight? Using Logic Pro's SubBass plug-in is a well documented method for synthesising very low frequencies where
When it comes to organizing complex (and even simple) arrangements in Logic, folders can make your life a lot easier. If you've ever found yourself scrolling and zooming around to find "that" track an
The Tab to Transient selection feature in Pro Tools is an easy way to navigate and edit audio. Logic Pro has similar functionality too! Mike Wakinson shows you how to navigate transients effortlessly.
Physical modeling synthesis is arguably the most fascinating form of sound creation at the disposal of the modern music maker today. This technology was once reserved for the elite and was only really
I don't know about you, but when I'm composing in Logic, the last thing on my mind is how my parts are going to look when they're printed out. I'm usually in the throes of composing, on the fly, cre .
When putting together an arrangement it's always useful to be able to create tension and anticipation. This is doubly important when producing electronic tracks and creating that perfect build is noth
In this Quick Tip we're going to explore how to effectively use Logic's Prelisten channel to preview audio with and without effects. Let's imagine two common scenarios often experienced by Logic users
If you are not familiar with buss processing it is simply a technique that involves processing an entire group (or buss) of instruments at once. This could be two guitars, fifteen drum parts or an ent
Dubstep is all the rage with its big wobble sounds. This pseudo style is a mixture of Dub Reggae, 2-Step, Grime with elements of Drum 'n Bass. Join Gary Hiebner as he shakes it up in Logic Pro.
From electronica to rock, pop to orchestral, crashes are used to add impact or signal a transition. Mo Volans shows how to transform a simple crash into something much bigger in Logic Pro.