Logic Pro

Tutorial | May 28, 2011 by Richard Lainhart

Using Logic Pro's built-in software instruments and controlling them with an external USB controller is pretty straightforward, and many people work in Logic this way exclusively. But suppose you have

Tutorial | May 27, 2011 by Peter Schwartz

Layering kicks is a great way to create a unique sound or feeling for your beats and grooves. Taking a thud-like kick and blending in another one with more snap, or adding a grungy techno-oriented...

Tutorial | May 26, 2011 by Mo Volans

Mastering is an essential part of the production process but many still remain in the dark about how to produce a professional sounding master at home. The truth is it's really not that difficult to g

Tutorial | May 23, 2011 by Mike Watkinson

If the aims of mixing a band could be summed up in a few words, they might be clarity, balance and blend. But mixing with these aims in mind can be a frustrating experience. One instrument in...

Tutorial | May 21, 2011 by Toby Pitman

Rather than run multiple instances of a virtual instrument to access multiple sounds learn how to use them in multi-timbral mode. Toby Pitman unravels the mystery behind how to set these up in Logic.

Tip | May 19, 2011 by Mike Watkinson

It is typical for vocalists to perform each phrase and the individual words and syllables within them at a wide range of volumes. They move around and they express what they perform '" it's only human!

Tutorial | May 18, 2011 by Peter Schwartz

Daft Punk's synth sounds, simply rule (a comment I'd like to make about their music in general). Let's find out how to re-create the sound used in Robot Rock using Logic's ES2 analog synth plugin.

Tutorial | May 16, 2011 by Mo Volans

Creating Dynamic Effects Busses This tutorial looks at a few different techniques you can use to make your effects returns live and breathe. I'm using Logic Pro here but

Tip | May 08, 2011 by Mo Volans

If you have a lot of .Rex files in your library, or are just a fan of the format, you'll be glad to learn that Logic handles them pretty well.

Tip | May 06, 2011 by Mo Volans

When producing sequenced patterns for any style of music, one of the main challenges is introducing perceived pace and energy to your work. Luckily there are a few simple tricks we can use here...

Tutorial | May 02, 2011 by Victor Mason

A while back I was wrestling with trying to correct phase for my microphone set up. The microphones all had a different distance between one mic to another. This would not have been such a big deal wi

Tip | Apr 29, 2011 by Toby Pitman

Over the coming weeks I'm going to go over some of Logic Pro's quantizing features and hopefully shed some light on some of the more advanced aspects of these powerful time correction tools. Logic's f

Tip | Apr 27, 2011 by Mo Volans

There are a huge amount of drum libraries available now and these feature just about every style of drum hit you could imagine but one thing I find is that they are often lacking in basic stereo width

Tutorial | Apr 26, 2011 by Peter Schwartz

Since its earliest incarnations, one of the most common prescriptions for curing Logic of its occasional ills (read: wonky, strange, or seemingly buggy behavior) has been to trash its preference file.

Tip | Apr 25, 2011 by Mike Watkinson

Not enough bottom end in your mix? Kick drum a bit weedy, thin or disappointingly lightweight? Using Logic Pro's SubBass plug-in is a well documented method for synthesising very low frequencies where