Logic Pro

Tip | Jun 20, 2011 by Toby Pitman

In the second part of this walk-through of Logic's Advanced Quantization features we're going to have a look at probably the most useful and powerful feature

Tip | Jun 18, 2011 by Rounik Sethi

When it comes to automating effects and instrument parameters over time, Logic gives the end user a lot of excellent choices. For example, it's possible to use Hyper Draw (Region-based automation)...

Tip | Jun 17, 2011 by Richard Lainhart

In Part 1 of this Quick Tutorial, we'll be looking at how to reproduce a synth sound from a recent pop hit, The Black Eyed Peas "The Time (Dirty Bit)"...

Tutorial | Jun 15, 2011 by Richard Lainhart

In the first part of this Feature Tutorial we discussed how to configure external MIDI instruments in Logic that is, setting up a hardware MIDI keyboard or drum machine as both a MIDI controller...

Tip | Jun 14, 2011 by Mo Volans

There are literally hundreds of techniques for increasing the impact of your drum sounds in any DAW. Having said that, there are a few key methods I use repeatedly...

Tip | Jun 11, 2011 by Mike Watkinson

Whether invented by accident by Les Paul or, as others say, by Ken Townsend at Abbey Road in 1966 (and used on John Lennon's voice), automatic double tracking (ADT) is a way of thickening...

Tip | Jun 10, 2011 by Richard Lainhart

In this Quick Tutorial, we'll look at how to create a classic analog synthesis sound '" the sound of whistling wind '" using Logic's ES1 synth.

Tutorial | Jun 09, 2011 by G.W. Childs IV

Recently I wrote a tutorial on how to quickly make an electro kick drum in Logic Pro. If you recall, the exercise merely utilized a few iterations of Logic's Klopfgeist with a bit of effect.

Tip | Jun 08, 2011 by Peter Schwartz

When it comes to adjusting the zoom level in the various editors, nothing beats these little known key commands for quick recall of different zoom perspectives: Save as Zoom and Recall Zoom.

Tip | Jun 07, 2011 by Mike Watkinson

If a kick drum has no bottom end then it is a reasonably straightforward process to add more using a sine tone generator and noise gate. For a pitched bass part such as bass guitar, where the recorded

Tutorial | Jun 03, 2011 by Gary Hiebner

Dub Reggae broke some crazy sonic boundaries back in the day, and is heard everywhere in modern music from Rap and Pop to Metal and Electronica. The use of delays and limited analog gear was utilized

Editorial | Jun 01, 2011 by Rounik Sethi

The iPad has been a huge success since its debut and it's no small wonder that since its release artists and musicians have found ways to turn it into a creative tool. Initially many felt the iPad was

Tip | Jun 01, 2011 by Mike Watkinson

Moving a region in Logic Pro is simply a matter of dragging it, right? Or left, of course! Hold down Control, or Control and Shift, for finer movement. Nudging, however lets you move regions using key

Tutorial | May 31, 2011 by Toby Pitman

Space Designer is a powerful tool. Not only can it be used to load Impulse Responses for realistic reverbs but it can also load any .aif or .wav that can be convolved (merged) with any source you feed

Tutorial | May 28, 2011 by Mike Watkinson

Beat Detective in Pro Tools is a very powerful tool, useful for a whole range of beat-based editing and tempo manipulation activities. This is the first Quick Tutorial in a series that aims to show...