Space Designer is a powerful tool. Not only can it be used to load Impulse Responses for realistic reverbs but it can also load any .aif or .wav that can be convolved (merged) with any source you feed
Beat Detective in Pro Tools is a very powerful tool, useful for a whole range of beat-based editing and tempo manipulation activities. This is the first Quick Tutorial in a series that aims to show...
Using Logic Pro's built-in software instruments and controlling them with an external USB controller is pretty straightforward, and many people work in Logic this way exclusively. But suppose you have
Layering kicks is a great way to create a unique sound or feeling for your beats and grooves. Taking a thud-like kick and blending in another one with more snap, or adding a grungy techno-oriented...
Mastering is an essential part of the production process but many still remain in the dark about how to produce a professional sounding master at home. The truth is it’s really not that difficult to g
If the aims of mixing a band could be summed up in a few words, they might be clarity, balance and blend. But mixing with these aims in mind can be a frustrating experience. One instrument in...
Rather than run multiple instances of a virtual instrument to access multiple sounds learn how to use them in multi-timbral mode. Toby Pitman unravels the mystery behind how to set these up in Logic.
It is typical for vocalists to perform each phrase and the individual words and syllables within them at a wide range of volumes. They move around and they express what they perform – it's only human!
Daft Punk's synth sounds, simply rule (a comment I'd like to make about their music in general). Let's find out how to re-create the sound used in Robot Rock using Logic's ES2 analog synth plugin.
Creating Dynamic Effects Busses This tutorial looks at a few different techniques you can use to make your effects returns live and breathe. I’m using Logic Pro here but
If you have a lot of .Rex files in your library, or are just a fan of the format, you’ll be glad to learn that Logic handles them pretty well.
When producing sequenced patterns for any style of music, one of the main challenges is introducing perceived pace and energy to your work. Luckily there are a few simple tricks we can use here...
A while back I was wrestling with trying to correct phase for my microphone set up. The microphones all had a different distance between one mic to another. This would not have been such a big deal wi
Over the coming weeks I'm going to go over some of Logic Pro's quantizing features and hopefully shed some light on some of the more advanced aspects of these powerful time correction tools. Logic's f
There are a huge amount of drum libraries available now and these feature just about every style of drum hit you could imagine but one thing I find is that they are often lacking in basic stereo width