Logic Pro

Tutorial | Jul 26, 2011 by Peter Schwartz

Logic is infamous for its complexity as well as its flexibility when it comes to routing. In this quick tutorial, Master Logic composer and trainer Peter Schwartz delves into the dark side of Busses.

Tutorial | Jul 22, 2011 by Mike Watkinson

Pitch correction has become a staple in the music producers toolbox. This tutorial shows how to use Logic's Pitch Correction plug-in without knowing your Bb major from G minor - with A+ results!

Tip | Jul 19, 2011 by Toby Pitman

In the third part of this walk-through of Logic's Advanced Quantization features Toby Pitman explores Q-Range and Q-Flam to help your music stand out from the crowd.

Tutorial | Jul 19, 2011 by Richard Lainhart

Lady Gaga has taken the pop world by storm over the past few years. Learn how to re-create (in Logic or your DAW or synth of choice) the bass synth from her hit single "Edge of Glory".

Tutorial | Jul 18, 2011 by Peter Schwartz

How can you make Logic's Score Editor display your music the way you want it to be seen? In this tutorial, Peter Schwartz shares essential Staff Style tricks to make that happen.

Tip | Jul 14, 2011 by Mike Watkinson

Automation can add life and a dynamic quality to a mix. Knowing how to edit, scale and trim this data after the fact is essential. Mike Watkinson shows you how to do just this in Logic and Pro Tools.

Tutorial | Jul 13, 2011 by Peter Schwartz

In this third and final article in my series on Score Sets in Logic Pro, we're going see how Score Sets can be used to create two different score displays from the same parts in the arrangement.

Tutorial | Jul 11, 2011 by Toby Pitman

Amplitube 3 gives you amazing guitar sounds at your finger tips - literally! To really bring your shredding alive learn how to use Amplitube's Parameter assignments and automate your axe in real time.

Tutorial | Jul 09, 2011 by Peter Schwartz

The order that instruments appear in Logic's Score Editor can be adjusted to taste. In this Quick Tutorial, Logic Environment and Score maestro, Peter Schwartz, shows you who achieve it!

Tip | Jul 05, 2011 by Mike Watkinson

A nice long reverb can be very effective on, say, a vocal to create the feeling of space, effective when there is time between phrases for it to be clearly audible.

Tip | Jul 03, 2011 by Gary Hiebner

Logic's signal routing features are very comprehensive. However, moving automation data on Auxiliary Channels often leaves many users scratching their head. Read on to find out how...

Tip | Jun 25, 2011 by G.W. Childs IV

Clean & pristine sound is the Holy Grail of music production. But Lo-fi productions have that much more character and help your music stand out from the digital crowd.

Tutorial | Jun 23, 2011 by Mo Volans

If you were wise enough to opt for the larger '˜Studio' bundle when you purchased Logic you will probably already know that the package includes several applications. One of these extra apps is...

Tip | Jun 23, 2011 by G.W. Childs IV

Trance beats are not that difficult to produce, let's face it. Why? Well, they are 4/4, 16-beat, it's a generic 4 on the floor drum beat with the snare on the 5 and 13, and kick marking every bar.

Tutorial | Jun 22, 2011 by Richard Lainhart

In Part 2 of this Quick Tutorial, we'll be looking at how to reproduce another synth sound from a recent pop hit...