Darren Burgos gets his chops together in this step by step on how to quickly create Electro and Dubstep style stop/chop audio effects using Take Folders in Logic Pro.
MainStage 2 can be your perfect backing track. David Earl (a.k.a. sflogicninja), shows how to import your tracks from Logic Pro to MainStage and sync playback for your next performance.
Knowing how to make synced sweeps is useful for more than just EDM. Darren Burgos demonstrates how the Vector Envelope in Logic Pro's ES 2 can be used to achieve this and more.
There's only one thing better than a free lunch... MPV FREE Stuff!! This time we've got a collection of chill-out electronica audio loops. Simply log in (or sign-up for free), download & enjoy!
Having trouble making some sounds sit comfortably in a mix? Gary Hiebner slices & dices in Logic Pro & Ableton Live with their respective Auto filter effects. Result? Juicy, fat beats!
With 24-bit digital recording and better analog to digital converters than ever before, is there any point using dynamic processors when recording? Mike Watkinson examines the benefits.
Logic Pro is a deep music production platform with multiple ways to get from A to Z! In this article Mo Volans uncovers two paths for parallel processing in Logic. Which route will you choose?
If you've sat on the fence (sic) when it comes to gating, Gary Hiebner is the perfect Logic expert to talk to. In this article you'll learn how to get creative with gating and stuttering effects.
Bring back the 80's - all is forgiven'¦ well, almost everything. Toby Pitman travels back in time, using Logic Pro, to re-create the (in)famous 80's style drum effects.
It would be great if Logic Pro came bundled with a Tube Warmth effect plug-in... Well, it does. Darren Burgos demonstrates how subtle use of Logic's Clip Distortion effect can add warmth to any track.
MainStage is excellent for live performance and part of that is down to how easy it can be to setup MIDI Controllers with it once you know how! David Earl shows us.
Logic Pro expert author, trainer and film composer, Jay Asher, explains how to create stems in Logic Pro 9, and why this makes it easier and more efficient when it comes to the mixing process.
If you're aiming to create a gated synth sound, rather than fiddle around with the controls of your chosen instrument, Gary Hiebner demonstrates an alternative workflow with added benefits.
White noise has many creative uses, from snares to kick drums and even lead sounds! Logic expert, David Earl, explores of all these in Logic Pro's ESP instrument.
The Yeah Yeah Yeahs use hardware synths & guitars to create their brand of pop-rock! Richard Lainhart shows how to re-create the synth line from Heads Will Roll using Logic Pro's built-in instruments.