Talking basses aren't new, but they're seeing a revival in musical styles, from Dubstep to pop. Gary Hiebner demonstrates how to get that vowel, formant, talking bass style synth using Logic Pro's ES2
Get down and dirty with GW Childs as he explores the simpler side of synth programming of Logic Pro's ES M. Starting with a clean, pure bass he shows how to add some grime!
Jay Asher continues to share his vast practical experience using Logic Pro professionally with this excellent article on working with rhythmic display in time signatures in Logic Pro's Score Editor.
Adding variation to your songs in Logic Pro, or any DAW, will help keep the listener's attention. Mo Volans shows how to add drum fills EDM style that'll breathe new life into your arrangement.
Question: What brings about more fun (and learning) in the music classroom than 2 iPads? Answer: 2 iPads plus Logic Pro. Adam Goldberg shares his special needs music lesson experience in this article.
You’ve just played the performance of a lifetime but Logic was in playback, not record, mode. All is not lost! Rounik Sethi shows you how to recall your last played MIDI or audio performance!
In this short MPV Hub series, Toby Pitman explores how the best Hollywood composers convey emotion in their musical scores. Part 1 (of 3), focuses in on the Lydian scale.
Logic Pro has some excellent scoring to movie features… David Earl demonstrates how to set up a project to spot to cues for an efficient and easy to navigate composing workflow.
Platforms in music & tech have long seen a diverse range of opinions. Mac vs PC, Cubase vs Logic v Pro Tools, etc. It's fair to want the best, but Matthew Loel T Hepworth notices a new "Sucks" trend.
Mainstage is a great live performance tool. The included instruments, control options and effects in Mainstage are not simply awesome. David Earl shows how to use Mainstage as a live looper.
Layering synths or sampler instruments can make fatter sounds, and also add sonic variations to your songs. In a few simple steps in Logic's Environment, Gary Hiebner creates a huge layered instrument
Afraid of Logic Pro's Environment? Don't be! In this article, Adam Goldberg shows how he sets up Logic's Chord Memorizer for his Special Needs music students to help them create wonderful sounds!
There's hope if your keyboard skills can't keep pace with your musical ideas! Darren Burgos explores how recording MIDI in Logic Pro's cycle mode can alleviate stress and make you more creative.
Panpots in Logic don't behave the same for mono and stereo channel strips. Peter Schwartz gets to the heart of the mix in Logic Pro and demystifies pan and balance in this excellent article.
Never used Logic for scoring to video, or have found your projects grinding to halt? This article by experienced composer, David Earl, explains how to set up all the basics and optimize performance!