One of the marquee features in Logic Pro X is Flex Pitch. David Earl (aka. SFLogicNinja) dives in to showcase just how effective the pitch manipulation is and how it works.
A frequently overlooked workflow enhancer in Logic Pro 9 is the Alias. These MIDI regions contain no actual data, they refer to another MIDI region or Folder and say “Look over there!"
Want to get arpeggiating in Logic Pro? There's two main ways to set this up inside Logic... but wait, with an iPad you can get hands-on thanks to StepPolyArp app. Darren Burgos shows how.
Logic Pro's Score Editor is both powerful and perhaps under appreciated. Jay Asher looks to remedy the later by revealing how to put the Layout Tool to best use.
The idea of using Logic Pro's Apple Loops in Pro Tools might feel counter-intuitive. But, these loops are a great resource which can be accessed and used for creative ideas directly in Pro Tools.
Loops are great. But loops can also become mind-numbingly repetitive, too. Darren Burgos, however, has a solution to adding distinct, musical variations using a MIDI controller and Logic Pro.
What is Logic Pro's Environment? Following on from Part 1, Peter Schwartz sets out to break it down into bite sized chunks. In this article he focuses on the Clicks and Ports layers.
When composing for game, film or other music, it's important to make our sounds stand out from the crowd. Josh Aker (Infinity Blade I & II composer) shows how to create your own BIG & awesome sounds.
What is Logic's Environment? Does the mere mention of it strike fear into your very soul? Peter Schwartz is here in this Logic series to banish misconceptions and break it all down nice and easy.
From Halo to Call of Duty, shooters are a popular genre of video game. David Earl takes to the battlefield and uses Logic Pro to create realistic automatic gun effects.
If you like the idea that 'prevention is better than the cure' and use Logic Pro, join Jay Asher in this article as he walks you through how to avoid problems before they happen!
The Marquee Stripe is a hidden gem, your Logic buddy, something you’re likely to call on when arranging your compositions in Logic Pro. Jay Asher demonstrates its power in this tutorial.
Maschine is so deep you could happily work only with it... but, there'll probably come a time when you want to move your patterns and sounds into a DAW. Mo Volans shows how to do this with Logic Pro.
You may be surprised to learn how easy it is to change the tempo of your songs on the fly in Apple's MainStage. Well, it's easy if you know how, and David Earl shares his tap tempo know-how here.
Chances are as a Logic Pro user you've used (if not created your own) sampler instruments using the EXS24. In this article Mike Watkinson explores a trusted way to move these to another Mac.