Cubase

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Making Gritty Analog Bass Sounds In Cubase 6

Want to create analog bass sounds? Cubase 6 has you covered with Prologue. Mo Volans takes this instrument over the edge and introduces that much needed grit into your creations.

Cubase 6: Tweaking Loops in Groove Agent

After all this time the MPC still holds its own. If you're out to get that MPC feel via software then Cubase 6 has something for you. Mo Volans gets looping in Groove Agent.

Cubase 6: Get Creative With Group Channels

Grouping and linking channels in any DAW can certainly lend more creative options to your mixing process. And Cubase doesn't disappoint in this area as Hollin Jones discovers.

Creating Shortcuts and Macros In Cubase 6

Using keyboard shortcuts can save you lots of time over trawling through menus with your mouse. Cubase 6 takes efficiency to the next level; Macros that combine multiple shortcuts in one keystroke.

10 MIDI Editing Tips and Tricks in Cubase 6

Join Hollin Jones as he explores the finer points to MIDI editing in Cubase 6 and shares 10 MIDI Editing tips from how to create instant harmonies to getting experimental with the Logical Editor.

An Introduction To LoopMash In Cubase 6

Creating random variations from a selection of loops often involves a time-consuming editing process. Cubase's LoopMash, however, make the process quick & fun! Mo Volans explores the possibilities.

How to Create Subliminal Audio Messages

We all dream of being smarter, more charming, more perceptive, etc. It’s in our DNA to want to improve and become better than what we already are. Subliminal audio could help you achieve this!

Making Quick and Interesting Trance Hi-Hats

Trance beats are not that difficult to produce, let's face it. Why? Well, they are 4/4, 16-beat, it’s a generic 4 on the floor drum beat with the snare on the 5 and 13, and kick marking every bar.

Creating Cut Up Editing Techniques in Cubase or any DAW

Cut and paste editing is a pretty broad subject, simply because the possibilities are almost limitless. So with this in mind, we’ll just concentrate on a workflow...

Using Inline Time Stretching in Cubase 6

Whether you are using Cubase 6 to remix, record bands or simply to create original music it’s highly likely that you’ll see time stretching as an important part of your production tool kit. In this sh

Creating Dub Delay in Logic or any DAW

Dub Reggae broke some crazy sonic boundaries back in the day, and is heard everywhere in modern music from Rap and Pop to Metal and Electronica. The use of delays and limited analog gear was utilized

The Mo Volans "Phantom Kick" Side Chaining Technique

There’s no doubt that side chaining in a popular technique but sometimes traditional techniques can create issues in your mix. One of these is creating ducking effects during drops and breakdowns when

When One Kick Just Isn't Enough - The Science Behind Layering Drums

Layering kicks is a great way to create a unique sound or feeling for your beats and grooves. Taking a thud-like kick and blending in another one with more snap, or adding a grungy techno-oriented...

How To Add Energy and Pace to Sequenced Patterns

When producing sequenced patterns for any style of music, one of the main challenges is introducing perceived pace and energy to your work. Luckily there are a few simple tricks we can use here...

A Guide to Buss Processing in Any DAW

If you are not familiar with buss processing it is simply a technique that involves processing an entire group (or buss) of instruments at once. This could be two guitars, fifteen drum parts or an ent