Taking tracks between projects in Cubase is easier than you might think. Gary Hiebner shows how track import works and explores ways to speed up workflow with customised presets.
ReWire is a powerful, invisible protocol for streaming audio and MIDI between compatible apps. Here are some ways it can make your life easier.
Anything that makes your work faster has to be a good thing. Matt Hepworth explains Focus Zones in Cubase 9 and how MixConsole just got a whole lot faster.
When projects start to grow in Cubase, you need to know how to keep on top of them. These expert tips will stop things getting out of control!
Here's an excerpt from the free live video Masterclass on Wavelab Pro 9 from the AskAudio Academy. In this video Matt Loel T Hepworth demonstrates how to easily add mid/side processing to any plug-in!
When your projects reach a certain size it can be hard to keep track of your tracks' tracks... Gary Hiebner highlights features that Steinberg offer inside Cubase to keep your productions moving.
If you're working between multiple DAWs it's fairly easy to transfer audio. But what about MIDI files? Joe Albano explains the how and why when sharing MIDI.
Cubase gives you 2 MIDI arpeggiator processors, the Arpache 5 and Arpache SX. Each has its own benefits. Let’s take a look at how to use these MIDI effects and explore the differences between them.
Cubase some some very advanced was to manipulate MIDI. One of these lie in their MIDI modifiers. In this tutorial Gary Hiebner takes a closer look at MIDI Modifiers and how to make them work for you.
Working with sample libraries? Doing scores? Looking to improve your MIDI and articulation workflow. Cubase 8.5's Expression Maps are here to help.
In this final part of the Cubase start to finish tutorial series Hollin Jones explores how to turn your mixes into masters and export them so the world can hear them.
Effects are essential to getting a great sound for your tracks. And when it comes to mixing, Cubase is a powerhouse. Let’s look at how it works in part 5 of this start to finish series for Cubase 8.5.
In parts 1–3 we looked at recording audio and MIDI in Cubase 8.5, but now you need to start putting everything in the right place. It's time to get editing and arranging. We show you how it’s done.
You will almost certainly be using audio as well as MIDI tracks in your Cubase projects. Here’s how to get it right first time.