In this tutorial, sound designer, G. W. Childs, delves into a Macklemore and Lewis track, Can't Hold Us. Using FL Studio 11's Poizone, G.W. shows how to recreate its minimal synth sound.
There's grooves and then there's grooves. In this tutorial, Ableton Certified Trainer, Noah Pred, shows how to take your Ableton Live 9 groove creations to the next level polyrhythmically.
And Pro Tools users around the world rejoice! Offline bouncing is now possible in Pro Tools 11 and Avid have implemented this feature in a neat and smooth manner. Mike Waktinson breaks it down.
Looking to rock out when recording or mixing? You may well want to check out Universal Audio's ENGL Amp plug-ins. In this article Rich Tozzoli shares 5 essential tips for these awesome effects.
Daunted by the mixdown stage? Looking for something to add a bit of spark to your process? Hollin Jones is here to get you back on track with these 8 mixing tips for any genre.
Software plug-ins & DAWs have taken over most music studios. However, analog is making a comeback. Now more than ever, musicians & producers are turning to hardware. But why? GW Childs investigates.
We all have the most diverse musical instrument already: your voice. And NI's Mouth takes advantage of your voice by transforming it into melodic sounds you can only dream of. Here's how to use it!
So you've taken your songs from concept to completion in PreSonus Studio One and want to make them release ready? Rather than export your track you can do the mastering right inside the Project Page.
Transitioning from one version of your favorite music software to the next is never easy. What's been removed is a common fear for many. Jay Asher turns that trepidation into joy for LP9 users.
Daft Punk's Random Access Memories was arguably one of the albums of the summer. In this tutorial, G. W. Childs explores how to emulate their vocoding style using Ableton Live and kHS ONE.
Want to modulate your sounds or a particular control on a synth or plugin in Ableton Live 9? Max for Live's LFO is here for exactly that purpose and Gary Hiebner is here to show you how to it works!
Pro Tools 11 has added a bunch of new features and workflow improvements over version 10. Mike Watkinson shows you how to get your mixing chops up to scratch in Pro Tools 11 with this guide.
Reason 7's audio editing capabilities put it on par with some of the more "traditional" audio-based DAWs on the market. In this tutorial, Hollin Jones explores the many ways you can manipulate audio.
For many useful advanced tasks in Logic Pro X we no longer need to delve into the Environment. Track Stacks are a prime example of how to create sophisticated patches in just a few steps.
Before you get to the mixing stage it's common to create a good arrangement. And it can be trickier said than done to make EDM tracks stand out. To help you out, Mo Volans shares 10 arrangement tips.