The Trap music genre seems to be constantly evolving... and borrowing from other more established styles too. In this tutorial, G. W. Childs shows how to make Trap style beats in Propellerhead Reason.
In Pro Tools 11 the Workspace Browser has received a major update, not only in its look but also functionality. Finding files has never been easier and Mike Watkinson is here to explain how and why.
The jury is most definitely in about Logic Pro X, and the overall reaction is very positive. One of the areas to receive some love from Apple was the Score Editor! Peter Schwartz takes a closer look.
Make the most of those versatile dummy clips in Ableton Live 9 with this creative tip by Tadhg Leonard. Learn how to use them for advanced control of your effects via different launch modes.
In this tutorial, sound designer, G. W. Childs, delves into a Macklemore and Lewis track, Can't Hold Us. Using FL Studio 11's Poizone, G.W. shows how to recreate its minimal synth sound.
There's grooves and then there's grooves. In this tutorial, Ableton Certified Trainer, Noah Pred, shows how to take your Ableton Live 9 groove creations to the next level polyrhythmically.
And Pro Tools users around the world rejoice! Offline bouncing is now possible in Pro Tools 11 and Avid have implemented this feature in a neat and smooth manner. Mike Waktinson breaks it down.
Looking to rock out when recording or mixing? You may well want to check out Universal Audio's ENGL Amp plug-ins. In this article Rich Tozzoli shares 5 essential tips for these awesome effects.
Daunted by the mixdown stage? Looking for something to add a bit of spark to your process? Hollin Jones is here to get you back on track with these 8 mixing tips for any genre.
Software plug-ins & DAWs have taken over most music studios. However, analog is making a comeback. Now more than ever, musicians & producers are turning to hardware. But why? GW Childs investigates.
We all have the most diverse musical instrument already: your voice. And NI's Mouth takes advantage of your voice by transforming it into melodic sounds you can only dream of. Here's how to use it!
So you've taken your songs from concept to completion in PreSonus Studio One and want to make them release ready? Rather than export your track you can do the mastering right inside the Project Page.
Transitioning from one version of your favorite music software to the next is never easy. What's been removed is a common fear for many. Jay Asher turns that trepidation into joy for LP9 users.
Daft Punk's Random Access Memories was arguably one of the albums of the summer. In this tutorial, G. W. Childs explores how to emulate their vocoding style using Ableton Live and kHS ONE.
Want to modulate your sounds or a particular control on a synth or plugin in Ableton Live 9? Max for Live's LFO is here for exactly that purpose and Gary Hiebner is here to show you how to it works!