Once your mix is finished you may decide to practice the dark art of mastering yourself. Interested? Then this tutorial by Matt Vanacoro will guide you safely through the process.
You may already know how use an effects return in Logic, but using dynamic effects plug-ins in conjunction with returns can make your creative effects even more... creative!
It's time to stand up for our rights as studio musicians and producers! It's time to say NO to buzzing and NO to humming. Keith Crusher explains how to kick noise out of your studio for good.
There's more to GarageBand for iOS than meets the eye (and ear)! If you've explored all it has to offer, now's a good time to add some free sound effects, and Mike Watkinson shows how.
It's time to break away from the grid. Think outside the box and get your "organic" or human shuffle going with these 5 quick tips for Reason users from Hollin Jones.
Multiband compressors have many uses in the mixing and mastering stages. In this tutorial, Gary Hiebner delves into how to build your own in Bitwig Studio using its bundles FX Layer.
Become a side chain scientist in Logic Pro X, with this compact yet informative mixing technique on how to side chain bass in Logic Pro X. Matt Vanacoro makes side chaining accessible for all!
Whether you're a musician, artist, videographer'¦ in fact no matter who you are, good data management practice can save you on headaches further down the road. Paul Wickliffe explains how.
Why reach for the nearest preset in NI's Massive when you can design your own? Not only will this mean your sounds are unique, but you can learn lots and have fun in the process.
Propellerhead Reason is chocka full of hidden features and functionality. In this tutorial G. W. Childs shows how to make a melodic pattern in Thor that changes pitch dependant on the keys you press.
If you're familiar with using Loopmash as an instrument, prepare to have your musical mind blown as Hollin Jones unleashes its potential as an effects processor in Cubase 7.5.
Most times you'll record instruments in mono to a single channel, but sometimes you may want to beef these up in the mix and create stereo versions. Here's how, in Logic Pro X.
The tools for authentic sounding orchestras are here. But, that automatically make your string sections sound good! Jay Asher shares six tips to help make your orchestral compositions unique.
Take your improv skills to the next level as Toby Pitman shows you 10 scales you can play over a dominant 7 chord for greater melodic variation. This article includes audio examples too!
Getting your audio interface and mixer inputs and outputs organized in most DAWs can be a pain. Not so in Bitwig Studio which makes the process much easier with its custom configurations.