Even if you know how to create a multi-output setup for Logic Pro X's Ultrabeat, you should read this excellent tutorial by Darren Burgos with some advanced tips on how to make multiple outputs easy!
In part 1 of this mini-series exploring the Blues from a music theory perspective, Lynda Arnold explores its foundation and looks at harmonic and melodic variations of the 12-bar blues form.
What is modulation? How can you make use of it in your musical compositions? The late and great Richard Lainhart wrote this piece for AskAudio Mag which explores modulation in Logic Pro.
Is the much talked about "Hollywood sound" attainable in your studio on a budget?Is it even desirable? Joshua Aker blasts this utopian ideal out of the water in this enlightening read.
Give your Ableton Live glitch effects that extra something with these five incredibly useful tips from Gary Hiebner.
If you want to take your mixes to the next level and are willing to put in a little time and effort, automation instead of compression is going to give you the edge you’ve been looking for.
PreSonus Studio One makes sculpting and manipulating audio to make it sound like you need it to a breeze. In this tutorial Gary Hiebner share 6 top tips for the audio editors among us.
If you're a Propellerhead Reason user and you use it when performing live, G. W. Childs (self-confessed Reason junkie) shows some useful tips for setting up a monitor mix. Essential info.
Have you ever wanted to play 2 or more instruments in Logic Pro X on different octaves of your MIDI controller keyboard? If you haven't tried this, you should! And Darren Burgos shows you how.
The deeper we delve into the digital direction for music production, the more we seem to crave that analog, unpredictable, warm treatment for our sounds. Joe Albano shares 6 ways to achieve this.
Originally viewed as a problem, distortion is now one of the most used creative effects in music productions. Joe Albano adds some warmth and crunch to the proceedings in this enlightening tutorial.
A good piano instrument doesn't depend only on the sound quality of its samples… Lynda Arnold argues that usability is important which is why NI's Giant wins for her every time.
Cubase is excellent for scoring to film and games. In this tutorial Hollin Jones explores how to get the best out of your system when working with video in Steinberg's popular DAW.
Finding it hard to tame the sounds in your mix? Hitting your head against a sonic brick wall? Here's some timely advice from Paul Wickliffe on using de-essers, side chain limiters and more to help.
Shooting a band using multiple cameras with multi tracked audio is within everyone's grasp now. Matt Vanacoro, master musician, photographer and trainer, shows you how.