Roy Furr is back by popular demand with these timeless arranging and production secrets for making tunes DJs will want to play over and over again.
Cubase is one of the best-looking DAWs around, but its interface also has some hidden secrets to help you speed up your workflow! Hollin Jones showcases five tips every Cubase user should appreciate.
It's all well and good being able to collaborate your DAW sessions remotely (online). What about if you want to play with band members across the internet. Matt Vanacoro looks at the possibilities.
Take your Reason mixing chops to the next level with these useful automation tips from Hollin Jones.
The state of the audio nation is at a crossroads. With internet bandwidth increasing, we don't need to data compress audio files as much as before. Joe Albano explores quality vs. size.
In this tutorial video, Cubase trainer Matt Loel T Hepworth shows how useful Groove Agent SE can be for quickly generating drum patterns with no fuss or programming needed.
Once you've created a DJ mix for your podcast it's time to get it uploaded to iTunes. Sara Simms shows you how in this step by step guide.
If you've never used Ableton Live's Follow Actions before then be prepared to have your mind blown with these 6 ways to use them by Ableton Certified Trainer, Noah Pred.
When it comes to mixing, rather than choosing one plug-in at a time, why not go for a channel strip which includes multiple plug-ins! Matt Vanacoro shares his 3 favorite UAD channel strips to date.
Sometimes recording acoustic guitars and finding that sweet spot can be tricky. Joe Albano explains how to improve the quality of your recordings depending on the pickups used in the mix.
The MixConsole in Cubase 8 has some powerful tools built into every channel. Tools that might even save you using third-party plug-ins'¦
Logic Pro X is one flexible DAW. Jay Asher is here to help you make the most of the Logic's mixer by creating different mixer views and saving them to screen sets. Plus, it's easy once you know!
Revoice Pro 3 is the secret weapon for top level producers world-wide who do pitch and time audio editing. If you're even slightly curious then this article will show you how to make it work for you.
Even if you haven't yet updated to FL Studio 12 yet (why not??) Gary Hiebner shows you how to translate visual pixels into sonic synthesis using BeepMap. We wish every DAW had this!
With some choice hardware and plug-ins, even when you're out of the studio you can get some truly excellent sounding guitars. Rich Tozzoli uses his UA Apollo and 3 stomp boxes in UAD v8 to good effect