Audio Software

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Matching Beats in Premiere Pro Like Ableton Live

Beat matching in Premiere Pro that works like Ableton Live? Well almost - but it's still so much more than you might have imagined. Joshua Casper reveals all.

Out Of This World Arpeggiated & Sequenced Sounds With Arpology in Kontakt

If you only watch one video today (or two) we'd recommend these two showing you how cool Sample Logic's Arpology can be for sound design and patterns you'd normally not dream of making.

5 Tips For Recording And Producing Better Voiceover

It’s not just singing that people record – voiceover is an integral part of all kinds of media workflows too. Here are five ways you can improve your VO recordings.

Music Theory: 4 Concepts to Consider When Creating A Chord Chart

In the latest in his series on music theory essentials, Matt Vanacoro gives you some pointers on how best to put together a chord chart for you and those you are working with.

Expanding Your Mobile UA Apollo Recording Rig Using Optical Preamps

If you've never taken advantage of optical preamps to expand your UA Apollo mobile recording rig, you could be missing out! Rich Tozzoli shows you how it works and how it can help you.

How To Create Impact Reverbs For Punchy SFX In Dance Music

Impact reverbs are a favourite trick of dance producers, but do you know how to create them for yourself? In this short video, Multiplier breaks down the technique.

Incorporating An External Synth Or Sampler Into Logic Pro X

Sometimes there's a sound or effect you can only get from hardware. It's easier than you might think to incorporate outboard gear into Logic, but there are a few rules to follow. Joe Albano explains.

What is Convolution Reverb?

Convolution reverb plug-ins have become the go-to reverb type in recent years. But what exactly is it? How does it work? And why does it produce realistic spaces? Richard Lainhart explains all.

5 Unusual Drum Programming Tips

Most people know how to bash out some beats on a MIDI keyboard, but how about taking things to the next level? Here’s how to generate some more unusual beats without breaking a sweat.

Make The Most Out of Syntronik's Massive Synth Potential

With IK's Synktronik out in the wild, users are beginning to tap into its huge potential for sound creation. Matt Vanacoro gives you his top tips for getting the most out of this powerful instrument.

How To Use Arturia Moog Modular V's Powerful Onboard Sequencer

Modelling the classic Moog hardware means Modular V's sequencer works a little differently to some others. Rishabh Rajan shows you how it works and explores its many abilities...

Make Your Own DIY 3D Gesture and Tracking USB MIDI Controller

With DIY gear so readily available, building your own controllers can be fun, rewarding and really creative. Here, Liam Lacey shows you how to make your own 3D gesture-sensing USB MIDI controller.

Using iZotope Ozone’s Vintage Processors For Mixing & Mastering

Whatever kind of music you are working with, iZotope's Ozone has the tools to master it sympathetically. Here, Joe Albano dives into the Vintage modules to show you exactly what they offer.

Transforming Cardboard Boxes & Kitchen Pans Into Realistic Drum Kits With Superior Drummer 3

Superior Drummer 3 has way more going on under the hood than a shiny new interface and killer drum library. One major addition is that you can replace and convert drums to MIDI with the help of AI.

How to Vocode Like the KLF in Reason

Ever wanted to get that signature vocoder effect as heard on tracks by legendary artists The KLF? Help is at hand - G.W.Childs is here to show you how to do it!