Audio Software

Tutorial | Oct 28, 2011 by Mo Volans

Reason is well known for its incredible-sounding instruments and effects and the Pulveriser is no exception. Mo Volans discovers just how capable at distortion this new effects unit is.

Tutorial | Oct 26, 2011 by Peter Schwartz

For some reason mentioning 'The Environment' strikes terror into the heart of many a Logic user. But it doesn't have to be scary. Peter Schwartz is here to help you work through the fear.

Tutorial | Oct 25, 2011 by Mike Watkinson

Working with AudioSuite-rendered clips just became much easier. For example, Trimming beyond the boundaries of the edit selection is now possible. Mike Watkinson gets a handle on this new feature.

Tip | Oct 24, 2011 by Mike Watkinson

In theory 32 bit floating point audio is the way forward. But how will it change the way you record and mix in Pro Tools? What are the practical benefits and disadvantages? Mike Watkinson explains.

Tutorial | Oct 24, 2011 by G.W. Childs IV

Trust G.W. Childs IV to come up with another left-field approach when it comes to sound design. In this tutorial G.W. dispenses with the traditional and uses Reason 6's Echo as a distortion effect.

Tutorial | Oct 22, 2011 by Mike Watkinson

The Elastic Audio features in Pro Tools provide ultimate flexibility (sic) when editing drums and rhythmic parts. Mike Watkinson puts all its modes to the test on vocal performances.

Tip | Oct 21, 2011 by Rounik Sethi

One of the most intriguing abilities in Pro Tools 10 is being able to visually match volume levels dynamically across clips. Rounik Sethi gets to grips with the new Clip-Based Gain feature.

Editorial | Oct 20, 2011 by Rounik Sethi

The secret is out. Avid has announced the latest version of their flagship Digital Audio Workstation, Pro Tools 10! And this new version is packed to the brim with new features and improvements.

Editorial | Oct 20, 2011 by Rounik Sethi

There's been a flurry of activity at Native Instruments HQ of late. Not content with redefining the way we integrate hardware & software to make music, they've recently announced a new sound library.

Tutorial | Oct 19, 2011 by Hollin Jones

There was a time when the jury was out on whether the iPad could be a useful tool for musicians. Then Spectrasonics released Omni TR for iPad. Join Hollin Jones in Part 2 as he delves deeper.

Tutorial | Oct 18, 2011 by Mo Volans

Sound design is one of the most fun pursuits on the planet. And with Logic Pro it's possible to create some truly unheard-of sound effects. Mo stretches, crushes, modulates, and filters his voice

Tutorial | Oct 17, 2011 by Hollin Jones

Join Hollin Jones as he explores the finer points to MIDI editing in Cubase 6 and shares 10 MIDI Editing tips from how to create instant harmonies to getting experimental with the Logical Editor.

Tip | Oct 14, 2011 by Hollin Jones

There was a time when the jury was out on whether the iPad could be a useful tool for musicians. Around that time Spectrasonics released Omni TR for iPad. Hollin Jones explores its many uses.

Tip | Oct 13, 2011 by Mike Watkinson

While Logic Pro 9 comes bundled with a very capable Multiband Compressor it lacks the circuit types found in the standard compressor. Mike Watkinson wires up a solution using Aux channels.

Tutorial | Oct 11, 2011 by Mo Volans

When it comes to creating drum parts, Ultrabeat provides a ton of suitable sounds for almost any musical style. And for programming the patterns? Mo Volans steps up with a laid back hip hop pattern.