Audio ambience is crucial in both the audio and video world! In this tutorial GW Childs IV, veteran video game sound designer, shows his secrets behind using Reason as an ambient machine!
Pro Tool's Beat Detective can do amazing things for the timing of recorded audio in the right hands. In this tutorial, Mike Watkinson demonstrates how to best get groove quantising.
GW Childs IV is back with part 4 in the MPV Hub's Reaper Series. Setting up Rewire mode in Reaper between Reason or Ableton can be a little fiddly. In this tutorial you'll learn how to make it work.
Scripting is a powerful yet under explored features in Native Instruments Kontakt. By using the pre-built scripts (or by rolling your own) you can create compelling new instruments and interfaces.
Pitch correction has become a staple in the music producers toolbox. This tutorial shows how to use Logic's Pitch Correction plug-in without knowing your Bb major from G minor - with A+ results!
Whether you are a new or accomplished musician, learning how to work with MIDI is essential. GW Childs explains the basics of MIDI Quantisation and how to tighten by the timing on your recordings.
We all dream of being smarter, more charming, more perceptive, etc. It’s in our DNA to want to improve and become better than what we already are. Subliminal audio could help you achieve this!
In the third part of this walk-through of Logic's Advanced Quantization features Toby Pitman explores Q-Range and Q-Flam to help your music stand out from the crowd.
Lady Gaga has taken the pop world by storm over the past few years. Learn how to re-create (in Logic or your DAW or synth of choice) the bass synth from her hit single "Edge of Glory".
How can you make Logic's Score Editor display your music the way you want it to be seen? In this tutorial, Peter Schwartz shares essential Staff Style tricks to make that happen.
Whether you're mastering yourself at home or sending out to a studio, understanding what intersample Peaks are and how to avoid them is essential. Victor Mason talks intersample, DAC and distortion.
One of the most overlooked tools in Reason has to be the LFOs present in synthesizers like the Subtractor, Malstrom, Thor, etc. GW Childs take a closer look at the available LFOs in Reason.
In this Quick Tutorial, we'll do a quick comparison of the noise reduction capabilities of BIAS Peak's SoundSoap PL plugin and Apple Soundtrack Pro's built-in noise reduction. Let's get started.
Automation can add life and a dynamic quality to a mix. Knowing how to edit, scale and trim this data after the fact is essential. Mike Watkinson shows you how to do just this in Logic and Pro Tools.
Arguably the most accessible, enjoyable and cool music program on the planet, Reason just got an upgrade. Version 6 combines the audio recording, editing & the mixer from Record...