Afraid of Logic Pro's Environment? Don't be! In this article, Adam Goldberg shows how he sets up Logic's Chord Memorizer for his Special Needs music students to help them create wonderful sounds!
Can't get your head around Ableton Live? Don't be put off! G. W. Childs highlights the similarities in Part 1 of this Transition to Ableton from any DAW series.
Every musician needs a studio! Mike Watkinson walks you through all the project studio essentials from monitoring to recording with mics in this enhanced iBook guide w/ 40 minutes of video tutorials!
Mixing. It's an art form arguably more important than the arrangement of your track. Asking an experienced pro, like Hollin Jones, for tips is one sure-fire way to improve your mix. Read on for more!
Turn on the radio (do people still use these?) and you'll likely, at some point, hear some Skrillex-inspired tunes. Gary Hiebner shows how to recreate his musical style in Ableton Live. (Part 2)
There's hope if your keyboard skills can't keep pace with your musical ideas! Darren Burgos explores how recording MIDI in Logic Pro's cycle mode can alleviate stress and make you more creative.
When it comes to modulating or'¦ shaving (sic) your sounds into the perfect shape, reach for (NI's) Razor. G W Childs explores Razor's unique internal sidechain to create cutting edge sounds.
Melodyne as a film production sound design tool? If you've never explored the more esoteric uses of Melodyne then read on as Celemony expert, David Andris, guides you through some formant tools tips.
Panpots in Logic don't behave the same for mono and stereo channel strips. Peter Schwartz gets to the heart of the mix in Logic Pro and demystifies pan and balance in this excellent article.
There's plenty of useful tricks for working in Ableton Live which make life feel wonderful! Rory Dow, Ableton expert, explores the ins and outs for transposing clips using a MIDI Controller.
You may be using the digital EQ bundled with your DAW, or perhaps you've invested a pretty penny in a 3rd-party plug-in'¦ Regardless, Jay Asher explores the highs & lows of EQing in the digital domain.
Many programs exist for creating your own instruments, from Logic Pro to MAX/MSP. Few, however, are as musically immediate and satisfying as NI's Reaktor. Toby Pitman gets synth building!
G. W. Childs knows how to uncover sonic gems in almost any awesome synth. Reason's Pulveriser is one such instrument. Explore how to use Pulveriser's Tremor to unlock its potential.
Never used Logic for scoring to video, or have found your projects grinding to halt? This article by experienced composer, David Earl, explains how to set up all the basics and optimize performance!
Learn how Adam Goldberg, Special Needs music educator, uses iPad apps for individualized instruction for students. From iKaossilator to ThumbJam, Bloom to Animoog, Adam explains what works best.