Victor Mason has years of hands-on experience when it comes to working with ways to get good guitar recordings. In this article he discusses using multiple mics, placement, re-amping and more.
With some excellent 3rd party time-stretching algorithms available is there any need for DAWs to provide their own? Mo Volans investigates time-stretching in Reason 6 and shares his excitement!
Peter Schwartz lets his fingers do the talking when using Logic's Score editor. He illustrates how to create multiple key command setups which makes editing in Logic a much more enjoyable experience.
There are a few vital production techniques to help make your music shine. Mid/Side processing is one such technique which Gary Hiebner approaches from multiple angles
Whatever bass sound you're looking to create, Trilian by Spectrasonics obliges! Hollin Jones gets mucky showing how to create a dirty bass sounds using this incredible instrument.
After all this time the MPC still holds its own. If you're out to get that MPC feel via software then Cubase 6 has something for you. Mo Volans gets looping in Groove Agent.
Programming electro (or acoustic) drums needn't result in robotic sounding, grooveless beats. Mo Volans adds a human touch to his rhythm section in Ableton Live.
When it comes to giving life to recorded vocals, most producers add some reverb. G.W. Childs shows how to air off vocals in GarageBand.
Vocoding seems to capture the imagination of every musical genre whether it's used on the voice or other instruments. G.W. Childs exercises his vocal chords and synthetic sensibilities in Reason 6.
Software versions are constantly changing so how you can be sure your current projects can be accessed in 10 years? Gary Hiebner looks to the future with these tips on archiving audio projects.
Grouping and linking channels in any DAW can certainly lend more creative options to your mixing process. And Cubase doesn't disappoint in this area as Hollin Jones discovers.
When it comes to creating drum parts, Ultrabeat provides a ton of suitable sounds for almost any musical style. And for programming the patterns? Mo Volans steps up with a House Beat pattern.
Practically every musical style relies upon transitions and build-ups to maintain listener attention, communicate emotion and ultimately tell a story. Gary Hiebner gets noisy in Ableton SImpler.
The new Echo device in Reason 6 does more than its streamlined appearance suggests. Yes, it's a great delay effect, but G.W. Childs takes its processing capabilities to another level.
Creating a club edit or a radio edit of your finished track inevitably involves some artistic compromise. Gary Hiebner shows some practical steps involved in creating radio edits in Logic Pro.