Reason 7's audio editing capabilities put it on par with some of the more "traditional" audio-based DAWs on the market. In this tutorial, Hollin Jones explores the many ways you can manipulate audio.
For many useful advanced tasks in Logic Pro X we no longer need to delve into the Environment. Track Stacks are a prime example of how to create sophisticated patches in just a few steps.
Before you get to the mixing stage it's common to create a good arrangement. And it can be trickier said than done to make EDM tracks stand out. To help you out, Mo Volans shares 10 arrangement tips.
So you know how to make a dub step bass patch in Propellerhead Reason? But maybe it's not as deep and dirty as you'd like? Have no fear, Hollin Jones is here to take your processing to the next level.
Fancy grooving out on your Maschine? Of course you do! In this tutorial-article Mo Volans demonstrates how to split up your samples across Maschine's pads and get grooving!
The new Track Stacks in Logic Pro now gives us instant access to easily create a layered sounds, synths and textures. In this tutorial, Mo Volans explores how to combine different tasty synth types.
Used by high-profile artists and musicians (like BT), FL Studio 11 is taking the music world by storm. In this tutorial, Gary Hiebner shows how to create dub step wobble basses with ease.
Did you know that, thanks to Logic Pro X inheriting the Musical Keyboard from GarageBand, you can now create sampler instruments faster than ever? Mike Watkinson demonstrates how.
Battery 4 has seen a major overhaul with a new refined interface and loads of new features. Get the most out of this drum sampler powerhouse with Toby Pitman's essential tips.
You've got the tunes. Check. You've got the venue. Check. But your Ableton Live set still needs organizing? No problem. Tadhg Leonard shows how to vanquish the stress before your DJ set.
Hollin Jones is no stranger to big tours. During the summer of 2013, he accompanied a very well known band to Glastonbury and other venues, and decided to share some of his secrets from the road.
When it comes to filtering your sound in your favourite synth, you may have come across two mode: parallel and series. Mo Volans seeks to demystify these, and importantly show how they differ.
While Pro Tools is not traditionally known for its MIDI editing capabilities, version 10 and now 11 have brought it on leaps and bounds. Mike Watkinson checks out how to make the most of its tools.
Getting unique sounds and effects out of Logic Pro X doesn't have to mean taxing your Mac's CPU. G. W. Childs shows how to make use of the new MIDI FX plug-ins to get creating wherever you are.
Mastering (turning your demos into radio friendly, polished tracks) can be a breeze with iZotope's Ozone 5. Hollin Jones reveals 8 essential tips to help make you more proficient in Ozone.