In the past starting a record label was not for the faint of heart. Today it's possible for any musician to do so. But, what are the potential pitfalls you need to know about to make it work?
The roll out of Serato DJ for mixers other than Pioneer DDJ-SX has been slow and steady. In this article Tadhg Leonard explores its integration with the Novation Twitch.
Creating a smooth transition between songs isn't just about beat matching. Sara Simms shows how to approach harmonic mixing (where two tracks are in related keys) to create a super smooth DJ mix.
With the multitude of synths available for iOS, making music on an iPad or iPhone has never been easier. But how do you incorporate these into your Ableton Live setup? Tadhg Leonard shows how.
Producing memorable music is more than writing great lyrics and music, making pristine recordings and mixing the track with precision. Performance, emotion and feeling are crucial for vocals too.
30 years on and MIDI is alive and kicking. But what about the next 30 years? What about current and future alternatives? G. W. Childs investigates the emerging technology for musicians.
What is a musician's most important body part? Voice? Fingers? Arms? Feet?? Nope! Your ears! And, these vital tools need protecting even more than our precious studio gear. Lynda Arnold explains.
DJs live very transitory lives. Make no mistake, being a DJ can involve lots of waiting at airports, waiting in hotels, waiting everywhere! Noah Pred offers 9 tips to take the chore out of traveling.
Perhaps the most important difference between between non-electric guitars are the string type: steel or nylon. In this article, Rich Tozzoli offers 8 tips on recording nylon string based guitars.
Akai's APC40 is an awesome bit of kit for DJs & producers. Rory Dow, master synthesist and Ableton Live user, explores how to make it even better using Max for Live. (Part 2/2)
Akai's APC40 is an awesome bit of kit for DJs & producers. Rory Dow, master synthesist and Ableton Live maestro, explores how to make it even better using MIDI remote scripts. (Part 1/2).
David Earl (aka SFLogicNinja) is here on a mission. The mission is to explain the history of FM synthesis (you know, Ghostbusters basslines, etc). In this fascinating article David does that and more.
When mixing we often think of EQing and Compressing as quite separate processes. Darren Burgos sets out to show you how the two have more in common than you might think.
One of the biggest problems with creating a good mix is not your monitors or audio interface... it's your room. If you're not blessed with the best space to mix in IK's ARC2 can help. Here's how.
Want to advance your mixing skills by incorporating a third deck into your sets? Sara Simms shares a few ideas on how you can use your third deck in Traktor to create results that sound great.